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What to keep and what to kick for 2009

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With the semester beginning, 2008 ending and a new president being inaugurated trends at the College of William and Mary are changing and students are finding new hobbies

Out: UGG boots; In: Leather knee-high boots

Out: “Paris Hilton’s My New BFF”; In: “Bromance”

Out: Plain North Face jackets; In: Colorful Coats

Out: Jenna and Barbara; In: Sasha and Malia

Out: Bloom; In: Trader Joe’s

Out: William and Mary e-mail; In: Gmail

Out: Being apathetic; In: Being politically active

Out: Sarah Palin; In: Caroline Kennedy

Out: Finding a job right out of college; In: Going to grad school

Out: Unpaid internships; In: Jobs that pay

Out: Professors not replying to e-mails; In: Seniors taking intro classes

Out: Amy Winehouse; In: The Ting-Tings

Out: Zac and Vanessa; In: Kate and Leo

Out: “Kite Runner”; In “Slumdog Millionaire”

Out: Golden Globes; In: Oscars

Out: Retros; In: Lenny’s Deli

Out: Studying in Swem; In: Studying in academic buildings

Out: iTunes; In: Pandora

Out: AIM; In: Gchat

Out: “The Hills”; In: “The City”

Out: “One Tree Hill”; In: “Mad Men”

Out: Watching MTV; In: Watching CNN

Out: Freezing your toes off in flip-flops; In: Dressing for the weather

Out: Fake highlights; In: Natural hair color

Out: No-shave November; In: Clean shaven

Out: Checking faceboook during class; In: Checking blogs during class

Out: Buying a parking pass; In: Moving your car every two hours on Richmond Road

Out: Paying over $1,000 for a meal plan; In: Putting $600 on Express

Out: Protesting about the SWAS; Protesting about the school going green

Out: #8 on Princeton Review’s Best College Library list; In: #3 on Princeton Review’s Best Public College Value list

Out: “Heroes”; In: “Lost”

Surreal film falls short of Kaufman’s past

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For playwright Caden Cotard, all the world’s a stage — a gloomy, plodding, gigantic stage.
Cotard, the anxiety-plagued protagonist of Charlie Kaufman’s directorial debut, “Synecdoche, New York,” played by Philip Seymour Hoffman (“Capote”), is a moderately successful playwright from Schenectady, New York, where he lives with his equally anxious four-year-old daughter, Olive (Sadie Goldstein, “Little Children”) and his wife Adele (Catherine Keener, “Into the Wild”), an artist who spends her days painting nudes on microscopic canvases.

In suburban Schenectady, the couple’s artistic duties are getting in the way of their familial ones. Caden stages an off-Broadway production of Arthur Miller’s “Death of a Salesman” as Adele, on the cusp of what could be her big break in the art world, prepares work for an exhibit in Berlin. Meanwhile, Olive adopts small paranoias that illuminate an unspoken rift between her mother and father. At one point she screams in fear at the unseen presence of the blood within her body, as if aware of the impending breakdown between her own blood relations.

Adele soon leaves for Berlin with Olive, never to return, and Caden is left to ponder his own artistic failings and physical deterioration. He considers an affair with a mysterious box office attendant named Hazel, whose own isolation is surreally typified through her constantly burning house, one of many dream-like strokes that Kaufmann whimsically interjects throughout the film.

Eventually, you can’t tell if you’re watching Caden’s real world or a fabrication created by his own nervous desires. Caden begins to see himself in dully optimistic pharmaceutical commercials; at one point he sees (or imagines?) Adele’s profile in a pretentious fashion magazine. His wife’s presumed success in Berlin only amplifies his own failures as an artist, husband and father.

One afternoon, Caden unexpectedly receives a “genius grant” from the MacArthur Foundation that allows him to create a piece of stage work that is simply true. In a continually expanding Manhattan warehouse, Caden embarks on a 30-year process of recreating New York City inside and out, breaking the fourth wall (and dozens of walls thereafter) to portray the mundane, daily world and the loneliness of his own artistic process. Eventually, art imitates life to the point of obscurity and Caden becomes a character in his own “real-life” play, seeking a truth about his existence — and his impending death — that his art continuously fails to grasp.

Kaufman’s method — surreal imagery, consistent self-reference, a plot that seems to turn in on itself — isn’t a new one. His previous, famous (and frankly, better) screenplays (“Being John Malkovich,” “Adaptation” and “Eternal Sunshine of the Spotless Mind”) all explored the anxiety of love, loneliness and art while assuring the viewer that such human struggles are all worth it in the end.

But Caden’s stage project — and Kaufman’s film — reveals only small moments of despair in everyday life. There are no triumphs here, no confirmation that art can affirm life as easily as it conveys despair. Instead, we’re left with a dour portrait of artistic suffering that lags into its second hour without any sense of larger purpose.

And it seems that Kaufman was seeking a larger purpose in the film. You can tell by the title, ‘Synecdoche,’ a literary device in which the part stands for the whole. Unfortunately, ‘Synecdoche’s’ brilliant fragments — though bolstered by Hoffman’s superb acting — fail to effectively coalesce, and the viewer is left with little hope for Caden’s — or their own — apparently trite existence.
The Kimball Theatre will show “Synecdoche, New York” now through Thursday, Jan. 29 with shows at 4 and 6:45 p.m.

Discovering ‘The Secret Garden’

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One by one, residents of the English colony in India fall victim to cholera. They let out painful screams and dramatically pull red handkerchiefs from their sleeves. When the dust settles, a single child survives the epidemic to face a life of loneliness and uncertainty.

The Sinfonicron Light Opera Company presents the musical “The Secret Garden” this weekend, produced by Keegan Cassady ’10 and directed by Dan Plehal ’09. The production, from the sets to choreography to lightning, is completely student-run. The company labored the last two weeks of winter break creating this musical that questions death and reveals that, even in the most barren and desolate situations, hope and love can survive.

Based on the book of the same name, “The Secret Garden” is the story of Mary Lennox, (Abigail Stokley ’10), a young English girl orphaned after a cholera outbreak in India. She is swiftly taken to England to live with her emotionally distant Uncle Archibald, (Thomas Brigham ’10), as there is little to do there but skip rope, she wanders through neglected gardens.

Mary soon discovers her crippled cousin Colin, (Rebekah Rochte ’12), and a hidden garden previously cared for by her beloved deceased aunt, (Sara Black ’09). As she breathes life into the garden, Mary uplifts all those affected by it. She matures from a selfish, spoiled child to a loving girl who helps those around her overcome their physical and emotional impediments.

“The Secret Garden” examines the relationship between life and death as both Mary and Archibald struggle to understand and come to terms with the loss of their loved ones. “This production presents an opportunity to explore the option of how the living and dead interact,” Plehal said. He contributed to that theme by altering the script, making Dickon, one of the book’s main living characters, a ghost. The effect is echoed througout the entire performance as cast members representing cholera victims silently wander onstage around the living characters. At times, the steady background movement can be a little distracting.

The musical, however, focuses on the constant presence of those that came before us. This staging proves a creative method for communicating that message. The idea becomes clear in a crucial moment as Mary questions death, to which Archibald replies: “They’re not gone you see, just dead.” Their mutual journey concludes with their gradual acceptance of death.

The best part of “The Secret Garden” is the incredibly beautiful music created by the student orchestra. Harmonies such as “Lily’s Eyes” and “Storm,” sung in duets and quartets, are phenomenal and worth the ticket price alone — $4 for students with one of the coupons distributed on campus.

The production unquestionably features some of the best singer in our school community. The staggeringly beautiful soprano voice of Black has a hint of sadness as she invites Mary to find her garden and comforts Archibald from beyond the grave.

Stockley captures the young heroine’s enthusiasm for exploring and determination to hope. Armbruster has an impressively strong, full voice as Uncle Archibald’s brother. Rebecca Phillips ’11, clearly plays a show-stopping role and provides a cheery addition as the household’s maid, brighting every scene she enters. Rochte does an extraordinary job as Colin, moving from vulnerable silence to a screaming tantrum, causing both laughter and sympathy. The upbeat Collie happily guides Mary through the garden and aids her along the journey.

The production has beautiful and sometimes haunting music such as “Come To My Garden,” Lily’s loving cry for Mary’s attention. As Archibald strains to hear Lily’s whispers, the tenderness in his voice reveals his physical and emotional weakness. A gigantic tree, built by hand, stands center stage and frames the musical. If you approach “The Secret Garden” with an open mind and heart there is no doubt you will be touched by our fellow students’ talent and hard work.

“The Secret Garden” will play today at 8 p.m., Saturday at 2 p.m. and 8 p.m., and Sunday at 2 p.m.

UCAB amps up image with new name, logo

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The acronym SCAB may spark curiosity, but it doesn’t quite kindle respect. With the renaming of the University Center to the Sadler Center, the University Center Activities Board needed a moniker makeover as well.

To kick off the new image, the newly named Alma Mater Productions, or AMP, will offer hot air balloon rides in the Sunken Garden today. Two to five students at a time will be able to ride in one of two hot air balloons donning a banner displaying UCAB’s new name.

“We feel like this new launch is going to allow people to see what the organization does and see it really does serve the student body,” Thomas Milteer ’09, UCAB’s public relations chair, said.

In addition to the Sunken Garden event — where students can grab a pair of free AMP sunglasses — this weekend AMP is hosting bartending lessons and a magic show.

Last fall, UCAB opened a forum for name suggestions from its members and the student body, and at the end of the semester decided on Alma Mater Productions.

“William and Mary is considered to be the alma mater of the nation,” Milteer said. “We wanted something William and Mary-specific and fun and that could describe William and Mary.”

The name AMP was submitted by a UCAB member, among many submissions from both members of UCAB and the student body. The top three choices came down to Alma Mater Productions, Tribe Productions and TribeWorks. After UCAB members voted via an online survey, the executive board made a final decision. Alma Mater Productions won by a clear majority.

“It has energy, it’s definitely different, it has nothing to do with the buildings on campus,” UCAB publicity member Trisha Repsher ’10 said. “AMP could be around a lot longer, and it’s cool to be involved with something that could be around for a while.”

Two official logos, both designed by a professional graphic designer, complete the new launch package.
“We want it to be more hip and really try to upgrade everything,” Milteer said.
Repsher commented on the versatility of the new logo. “It has the potential to do whatever you want with it, so it’s flexible,” he said.

The launch also features their new official color, teal.

The organization is ready to liven up the semester with its new image. As Milteer said, “We’re all really excited about it.”

State could slash budget $9.7 million

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College of William and Mary officials are expecting deeper revenue shortfalls for next year following Gov. Timothy M. Kaine’s Dec. 17 proposal to cut state funding for all Virginia universities by 15 percent. The proposed cuts, which would take $9.7 million out of the budgets of the College and the Virginia Institute of Marine Science, are currently being considered by the General Assembly.

These new cuts come on top of October’s budget cuts of $4.9 million from the two institutions. VIMS operates under the administrative umbrella of the College but is funded separately by the state.

The Board of Visitors is considering all options, including tuition increases and further cuts in department budgets, but will not have a final plan until its April meeting.

“It’s a little early in the game to know exactly what we’ll do in response,” Vice President for Finance Sam Jones said.

BOV Secretary Suzann Matthews ’71 agreed, saying that the College was waiting to see whether the GA would make all the cuts requested by Kaine.

In a statement following Kaine’s announcement, College President Taylor Reveley emphasized that any cuts would not affect students or faculty this semester.

“To repeat prior assurances about the current fiscal year, there will be no layoffs on the main campus, no salary reductions or furloughs, no loss of student financial aid and no mid-year tuition increase,” Reveley said. “As always, we will work to absorb the latest cuts in our state funding with the least harm to the university, and we will report to you once plans are further along.”

Any cuts next year would come in addition to the 5 percent cuts that all departments were forced to make this year. Department heads say the cuts have hurt, but they have been able to cut back on minor expenses so far.

“Our department has so far responded to cuts by reducing the amount we give faculty for conference travel, by watching postage carefully, and by encouraging faculty to conserve paper,” English Department Chair Jack Martin said. He added that funding for the renovation of Tucker Hall had also been delayed.

The economics department made similar cuts, according to Department Chair William Hausman and Office Manager Pat Luke.

“It’s not a crisis yet … but we’re drawing down our savings. If it continues for two or three years it’s going to have an impact [on teaching],” Hausman said, adding that the most serious cut this year was the decision to hire a new visiting professor instead of a tenure-track one as originally planned.

Jones said he thought it was unlikely that any federal stimulus package would kick in soon enough to prevent cuts next year.

Virginia’s proposed funding cuts are roughly on par with those of other state university systems. New York’s public college system has decided on a 14-percent tuition increase for next year, while the University of California system lost $65 million in state funding causing tuition to go up at least 9 percent.

In a Dec. 9 blog post on the College’s website, Rector Michael Powell called for “a new financial model” for the College that would involve less state funding, more alumni giving and higher tuition along with more financial aid.

“We will also have to look at tuition. The cost of educating a student is nearly $18,000 and most students pay much less than that,” Powell said. “At the same time, we do not want financial need to prevent qualified students from joining our community. Thus, financial aid budgets will also have to be increased.”

Student Assembly President Valerie Hopkins ’09 said students should take an active role in convincing the GA to go easy on the College.

“In addition to coming on a trip like Road to Richmond, students can call and e-mail representatives,” Hopkins said. “Our voice needs to be loud, because members of the GA are hearing from a lot of constituents.”

College must go beyond Virginia

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Like other public universities around the country, the College of William and Mary stands at a crossroads. Years of falling (plummeting?) support from the state leave administrators with, we think, four options to balance the budget: They can cut services, drastically increase tuition, alter the in-state to out-of-state student ratio or pursue some combination of the three. We favor the third route.

College officials should seek concessions from the General Assembly to ease restrictions on the percentage of non-Virginians the school can admit. Because out-of-staters pay nearly three times more in tuition and fees than do Virginians, even a one-point change would inject tens of thousands of additional dollars of new income at no additional cost.

We doubt state officials would be disposed to such a switch, of course, but it seems only fair that as state support wanes, the General Assembly’s ability to influence College policy should wane as well. Virginians’ tax dollars help run the College, yes, yet so do students, donors and endowment revenues. Management remains firmly planted in Richmond despite the existence of these myriad shareholders.

Moreover, Virginia’s top flight system of higher education attracts talented students from across the country, and oftentimes, they settle here. Where the Midwest and Rust Belt are experiencing a brain drain, Virginia’s colleges help sustain a brain gain. If that system goes into decline, we fear the state may lose out as well. It’s time to reconsider how it operates. The old way isn’t working.

Housing reform continues to drag

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If you’re considering living off-campus in Williamsburg next year, don’t bother looking for more than two housemates to defray the costs — unless, of course, one of them is your brother. Or aunt. Because of delays in forming the focus group created to study changes to the city’s three-person rule, students will not see a compromise in time to make plans for the fall. In a month or so, when students begin to consider their housing options, they will be forced to operate in a framework that the Williamsburg City Council says needs change. That doesn’t sit well with us.

In authorizing the group at their December meeting, members of City Council asked that it consist of both students and residents of the larger College of William and Mary community. Against the backdrop of exams and winter break, however, Student Assembly President Valerie Hopkins ’09 said she found it difficult to select students to serve on the committee. And without the student component, no one will move forward. Indeed, we wonder if it will move forward even with the student component, but, at any rate, progress has stalled. It appears a solution will not arrive before students make housing commitments for the fall.

That disappoints us, not only because we’d hoped for a solution for the 2009-2010 school year but also because we fear that more delays will dampen the sense of urgency that pushed these talks to the foreground last fall. Hopkins has assured the campus community that she has chosen the students and that work will begin again soon, yet uncertainty remains. We share Williamsburg Mayor Jeanne Zeidler’s concerns about continuity. Will the students selected serve into the summer? Will a newly-elected administration shift its focus from housing before students gain any ground?

We’re holding out hope that this loss of expedience leaves a chance for more careful consideration. After nearly two decades of waiting, that hardly sounds like much of a consolation, but students also deserve the best possible solution — the kind of solution unlikely to come from a few weeks of deliberation. But, no matter the time frame, the sense of urgency must remain.

Obama brings millions together with the hope of a brighter future

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America came to Washington, D.C., on Tuesday to be a part of something amazing. Our nation’s capital was filled with people of every race and background, the crowd painting a worthy backdrop for such a historic event.

The moment history will remember came shortly after noon as Barack Obama became our nation’s president. He was greeted with the clapping of millions of muffled hands, smiles and tears streaming down millions of faces. However the story of Inauguration Day began long before this moment.

The making of this historic event began days before as people came from around the country, and in some cases around the world, simply to be a part of the day. Some stayed with friends, the lucky ones in hotels, and a few especially dedicated people lived out of coffee shops and slept in their spots on the National Mall.
As the sun rose on Inauguration Day, it was neither the security nor the difficulties of being there that defined the day, but the warmth and energy that came to Washington with the American people. As crowds waited for hours in the cold for the event to begin, the few open spaces were filled with conversations. People spoke as if they were with old friends, reflecting on the day and telling the story of their own journey to that spot on the Mall.

So many there embodied the spirit of the day — people like the student from Lincoln, Neb., who came to Washington with no place to stay, but with a desire to be a part of something larger than herself.
On Monday night, as she rode the Metro toward her spot on the Mall, she talked casually with the man standing next to her on the crowded train. As she left, the man, refusing to take any compensation, handed her one of the prized inaugural tickets. Another passenger immediately offered her $500 for the ticket. She declined and walked off the train.

What she understood was that Inauguration Day was something greater than all the costs and hardships of being in the city. For her and so many others, it was about being at the launching point for a new American direction. And because of that, she proudly used her ticket to have her own personal stake in this new direction.

By mid-morning, the millions on the Mall were joined by the rest of the world and paused to take in the spectacle. Then, having received the mandate from Obama that “we must pick ourselves up, dust ourselves off, and begin the work of remaking America,” the crowd, strangers only hours before, hugged, said goodbye and walked out to return to their lives, pausing only briefly to cheer the departure of the Presidential helicopter carrying former president George W. Bush down the Mall and away from the Capitol.

Jan. 20 was unquestionably a monumental day in American history. It was a day when racial barriers came tumbling down and the crowd was so large that it was measured in miles and jumbotrons.

What is yet to be determined is whether or not it will become the turning point in the American narrative that so many believe it will be. For that to happen, we must ensure that something extraordinary takes place.

I walked away from Tuesday with a sense of empowerment and the knowledge that the country is once again on the right track. The message was clear that nothing would happen on its own: We all need to re-engage ourselves in public life and use our talents to get America to the place it needs to be.
As Obama said in his address, we know what we “can achieve when imagination is joined to common purpose, and necessity to courage.” Now, it is only a question of doing it.

Ben Schultz is a senior at the College and attended the inauguration.

College’s budget will be won in Richmond

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A few weeks ago the Princeton Review named the College of William and Mary the third-best value among public universities, behind the University of Virginia and the New College of Florida. This designation comes during a troubled time for the College’s finances, if students wish to see their alma mater achieve further accolades, they should travel to Richmond Jan. 29 to petition lawmakers about the expansion of the College’s budget.

The Flat Hat recently announced that Virginia Gov. Timothy M. Kaine cut an additional $7.4 million from the university budget, on top of the almost $5 million cut several months ago. President Reveley reassures us that these deficits will not affect the day-to-day operations of the College, but small indicators, from textbook prices to registration, imply that the College cannot detach from its financial situation.

Of course, I, like many others, would love for the College to release plans for future fundraising initiatives including a clear goal for a new fundraising campaign. Previous initiatives that seem to have found success were specific and thus easily allowed alumni and administrators to rally around them. For example, the Gateway program increased its funding from $1.65 million to over $10 million from April to December 2008. However, the original projection of the Gateway program — $80 million — dwarfs this sum.

Aside from large individual contributions, one of the primary problems with fundraising for these programs lies in a term repeated ad nauseum during the election: “re-energizing the base.” When news and publicity coming out of the College focus on the petty and divisive controversies of the past few years, few see an incentive to empty increasingly light pockets. However, in light of fluctuating state funds, the College increasingly needs alumni contributions to maintain its level of operation and remain competitive with universities with far greater endowments.

However, when even thinking of creating a new mascot is a committee about a committee away, students understandably feel the need to take some responsibility for the College’s affairs. The Road to Richmond trip is one of our most visible and effective methods of expressing concern over the current budget cuts.

On Tuesday, Jan. 27, the group will meet with Reveley to discuss issues currently affecting the College, and Thursday, Jan. 29, students will trek to Richmond to eat breakfast with lawmakers and sit in on meetings with the General Assembly. I encourage anyone who sat in on a class yesterday, without a hope of being added to the waiting list, to consider funneling their frustration into a cause worthier than curling up in the fetal position and cursing the Board of Visitors, as we seem to do when anything goes awry.

Instead of stressing about the add/drop period, skip a class (just this once) and go to Richmond. Legislators want to hear about concrete concerns and personal stories that connect them to their constituents and provide a jumping-off point for discussing solutions. Explain how specific programs, from Gateway to study abroad, are essential to the College experience and to the College’s competitiveness with other universities.

Lastly, work to forge a connection with alumni who may feel as frustrated with the red tape and controversy as students do. If financial aid is not cut and professors are paid the same, then we must find other ways to keep the College great and public, yes — but, most of all, operating.

Alexa McClanahan is a sophomore at the College.

Harley examines role of women in civil rights movement

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Dr. Sharon Harley, associate professor and chair of African American Studies at the University of Maryland, tackled the question of what makes a “race woman” Tuesday afternoon in her presentation entitled “Race Women: African American Women Claiming Dignity on the Public Stage.”

Her presentation focused on three black female civil rights activists: Mary Church Terrell, Nannie Helen Burroughs and Maggie Lena Walker. Harley said each woman played an important role in fighting Jim Crow laws and promoting equality for blacks, especially among women. However, they had varied approaches to race work.

“Typically in the late 19th century, [race woman] meant an individual … who was both race conscious and devoted their time to uplifting their race. They exhibited differences in their leadership styles, differences in their class identity and their interactions with male and white Americans,” Dr. Harley said.

As the daughter of Robert Church, the daughter of a wealthy African American millionaire, Mary Church Terrell led a considerably more comfortable lifestyle than the other two women. She often passed for white in order to receive travel benefits that were denied to blacks, but even that privilege was to be challenged on one of her trips to Cincinnati.

“When a train conductor attempted to remove her from the coach reserved for whites, she was baffled by [his] behavior and she recalled, and I quote, ‘I can think of nothing, nothing that I had done wrong’,” Harley said.

Injustices such as these also led Terrell to become an advocate for civil rights. She studied the classics at Oberlin College in Ohio and was the first black woman to receive a college degree. Terrell also was the first president of National Association of Colored Women’s Club making more of an effort to unify whites and blacks.

Nannie Helen Burroughs was more radical in her denouncement of inequality. She was particularly critical of black male leaders whose sexism prevented black women from being more active in the fight against racism.

“On one occasion Burroughs said she had more brains in the fingers of her hand than a whole slew of black, prominent men in Washington, D.C.,” Harley said.

Maggie Lena Walker was the most inclusive of all three women when it came to men. She publicly denounced the treatment of black soldiers who served in the U.S. military. When she founded the Color’s Women Council of Richmond, she readily allowed men to join the organization. She was also the first woman to found a bank in the United States. Consequently, she became a national figure in the fight for black workers’ rights.

Her fervor for black women’s rights was demonstrated in a speech she gave at the 34th Annual Session of the Right Worthy Grand Council of Virginia where she commented that black women were “circumscribed and hemmed in, in the race of life, in the struggle for bread, meat and clothing.”

In the end, Harley noted that a “race woman” was not necessarily one type of person, but yet could have different styles and identity in terms of their lives.

“That individual was race conscious because they had pride in their African or African American heritage, regardless of their skin color.”