Where other shows have suffered from declining quality (I’m looking at you, “House,” “24,” “Heroes,” “Prison Break,” et al.) “Lost” is an island of excellence.
p. Bad puns aside, the third season finished stronger than any before it, and the preliminary reviews of what lies ahead look to only exceed what’s already passed. Before I can say anything else, however, I must warn you: If you don’t want the episodes that have already aired spoiled, you really shouldn’t read any further.
p. For those of you still with me, I can’t contain my excitement in telling you that after an extended break of nearly eight months, Jan. 31 will let us heed future-Jack Shepherd’s pleas and return to the island at last. And not a moment too soon, as more and more mindless reality shows fill programming blocks each week.
p. The fall out from the writers’ strike has begun, and “Lost” may be the only safe patch of land in a sea of television that never fails to horrify. Couch potatoes are given a choice between the lesser of two evils, as terminators and disturbingly muscular American Gladiators vie for their attention. I honestly can’t imagine a time when our televisions have needed quality programming more than now.
p. Thankfully, the show remains top-notch even after three years of its well-known, tried-and-true formula of character-centric episodes sprinkled with exciting and telling flashbacks (and the occasional ones that are just a bore — I’m looking at you, Claire). The curveball twist during the third season finale marked the end of the series’ traditional format. In an emotional and depressing character portrait of leading man Jack Shephard, fans were treated to what were the most shocking flashback scenes yet.
p. The scenes depict Jack Shephard as far removed from the character with whom audiences have been acquainted for three years. He’s addicted to pain killers, a raging alcoholic, suffering from depression to the point of suicide and sporting a nasty beard. The flashbacks were powerful and moving in themselves, but audiences were doubtlessly wondering exactly how it all relates to the action on the show.
p. Suspicion of the writers was not unwarranted either. Several episodes in the third season centered on flashbacks that were of little to no importance, and at times were just plain boring. I’m sorry, Kate, but at this point we’ve grown tired of watching you flee the police while leaving a trail of broken hearts in your wake. And just how many times have we seen you con someone out of their fortune, Sawyer? The sad truth is that the well for pertinent character information is running dry. I don’t blame the writers though, I’m actually amazed they’ve done it so well for three seasons.
p. This flashback was no dud, however — for the first time, it served as the season’s final scene, outshining the island-focused action and seizing the climax for itself. The payoff came in the final moments, when a tearful Jack met a mysterious woman at the airport — who turned out to be none other than Kate Austen. Jack shouted his final line, “We have to go back!” and “Lost” junkies around the country all gasped at once. Analysts say the moment registered a 4.0 on the Richter scale.
p. At that moment the fan was not only hit, but destroyed. Jack’s flashbacks in the finale were in fact flash-forwards. J.J. Abrams and Damon Lindelof, the producers of the series, quickly came forward and revealed that the next season will focus on life before the island, on the island and after the island. What’s a viewer to do? Feed the addiction and watch more, of course.
p. What does this mean for the show? Besides the promise that Jack and Kate (and up to six others, advertisements have touted) make it off the island, the change blows a good number of popular theories out of the water. But it also promises answers. And that seems to be the buzzword that has fans excited most.
p. Without a doubt, the success of “Lost” lies in its mystery, but after three years of asking, “Where the hell are they going with this?” after nearly every episode, many viewers are burned out. Indeed, the show’s ratings dropped to an all-time low this past season, and some critics cite a lack of faith in an attainable conclusion as the principle cause (Mr. Eko would be ashamed). With rescue certain for at least some of the characters, fans can rest assured that the writers know what they’re doing.
p. Also since the last season, Abrams and Lindelof hammered out their contracts with ABC, cementing the show’s lifetime to a grand total of six seasons, with the remaining three lasting only 16 episodes each. Abrams stated that the shorter episode order was designed to reduce the filler between important episodes and allow each episode to be substantial within the ongoing storyline.
p. How the writers’ strike will affect the fourth season is unknown. As of now, only eight episodes are finished and no more have been written. The eight episodes will not be a condensed version of the intended 16, the unfortunate circumstance that befell and ruined the finale of “Heroes.”
p. “Lost” will return Thursday, Jan. 31 at 9 p.m. on ABC. If your memory needs some refreshing or you’re a newcomer, tune in at 8 p.m. for a summary of the show so far, since it’s difficult to simply jump into midway.
