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Redefining diversity

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Diversity is very difficult to accomplish because it has so many different meanings. For most people, what comes to mind most of the time is race. They forget that diversity can be defined by a variety of factors, including religion, sexual orientation, socio-economic background and gender. Even aspects of a person’s physical features, such as hair highlights and birth marks, can be considered diverse.

p. In early August, the College’s website detailed the fact that 23 percent of the Class of 2011 is comprised of students of color, including Asians, Pacific Islanders, blacks, Hispanics and American Indians. This class is celebrated for being the most diverse in the history of the College, but why should the meaning of diversity be confined only to race?

p. I graduated from a small Catholic high school that had very little racial diversity and even less religious diversity. Most of the students came from the same area, so socio-economic differences were lacking, too. The absence of diversity became a sad, but true, joke.

p. With this in mind, I can appreciate the 23 percent of my class who exhibit racial diversity. As a half-Korean, it’s nice to not be the most ethnic person in the room for a change. Sure, the percentage seems small, but it’s better than that at a lot of other schools. The College, after all, tries to foster an environment in which students can learn about and come to value other cultures through its many multi-cultural organizations.

p. Maintaining diversity, however, creates a problem. By trying to keep up with the media attention placed on promoting racial diversity, colleges across the country forget that it does not simply mean a bunch of different races. Some take this warped definition of diversity to the extreme. Having a large pool of racially diverse individuals looks nice on a press release, but using racial stereotypes to further a cause, such as adding diversity to a community, is just as misguided as using these same stereotypes to hurt people. In both of these situations, the group or person is equally degraded despite the best of intentions.

p. We learned from shows like “Barney” and “Sesame Street” that everyone is special and everyone is an individual. Somehow, around age seven, we decided that we were too old to watch those shows, and we began to forget those lessons. Being straight, Caucasian and Christian can be just as diverse as being bisexual, black and Jewish. To truly show the statistics on diversity here at the College, the admissions office would have to include hundreds of sets of numbers that range from people who have freckles to people of differing religions.

p. So take a minute and think about diversity. What does it mean to you? What is it a measure of? Is it good or bad? And is it really that important?

p. __Jessica Gallinaro is a freshman at the College.__

Swemming around the clock

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College is all about the awkward silences. There’s the awkward silence after a bad first impression. Or that terrible hush you feel after delivering a controversial joke or offensive remark. My favorite is that awkward silent stare you share with a subject of attraction, your eyes shifting toward theirs in pleading calculation, communicating something incommunicable — your thoughts raving, but your mouths awkwardly clamped shut.

p. Worst of all, though, is the dreadfully awkward silence you get in the classroom. This happens often at the College. The professor asks a no-brainer and the room trembles, becoming utterly soundless. Of course, you would know the question was a no-brainer had you done the reading. You skim through the pages blankly, pretending to comb for the answer. You might even contort your face or stick your tongue out, expressing how close you are to raising your hand, how it’s on the tip of your tongue, if only you could materialize your thoughts into words. Still nobody responds. Soon, dread ensues; you avoid eye contact with your professor as you pray to God Almighty that your name will not be announced. Finally, someone breaks the silence, and there can be heard a collective sigh of relief as you exhale in a combination of ease, shame and embarrassment.

p. Why aren’t the students doing their readings? Could it be that they have no place to read? I pondered this question, remembering my freshman year and how much I hated Swem for its uncompromising hours, closing at midnight weekdays and at six on weekends. I couldn’t help but compare it to my brother’s library at the University of Virginia, which kicked Swem’s ass for each of the 24 hours it operated.

p. When I heard about Swem’s budget cuts, I felt a familiar regression to freshman year and how hard it was to read for lack of a quiet room. I met with Dean of University Libraries Connie McCarthy to express my concerns.

p. Swem’s cuts are a mere scratch, nothing a Band-Aid can’t fix. The cuts are a trickled-down offshoot of a general budget cut by the state of Virginia. Everyone’s getting a little cut here and there. McCarthy assured me that nothing will really change. It’s not really a cut if you think about it. There will be a hiring freeze, at worst. Staff will not be asked to leave, but promotions shouldn’t be expected anytime soon.

p. “We just can’t move ahead with our plans,” McCarthy said, referring to the lifelong dream of former Student Assembly President Ryan Scofield ’07 to extend Swem’s hours on nights and weekends. “Late evenings are our first priority, and these hours won’t be cut,” she added.

p. Although Swem is now open until 2 a.m. on weeknights, there just isn’t enough security to keep the library up and running all night. “The building isn’t designed to operate all night,” McCarthy said, noting issues of security for students and taking into account the staff’s responsibilities. It’s also a matter of practicality, as energy, resources and money would be wasted in maintaining an overnight shift. There isn’t enough demand to keep the building running through the night, as the general student body seems okay with current hours. “It just isn’t practical to have the place open at four in the morning for one or two students,” she said.

p. Swem won’t extend its hours, but it also won’t cut any. One of the library’s potential plans would be to open earlier on weekends, especially on Sundays. As for finding a quiet place to read at night, well, you’re out of luck. Most campus buildings are locked by midnight. If you even think about doing homework in your dorm or your hall’s lounge or kitchen, you’re an idiot, and have no business reading to begin with. I don’t approve of the library’s 24-hour lounge, though. The bullet-proof, soundless study corner for four is pretty good, but small. For weekends, try Barnes and Noble in Colonial Williamsburg, which is open until 10 p.m. and serves better coffee than Swem’s vending machines.

p. If you really crave a concentration-friendly environment, adjust your hours to those of Swem. The early bird gets the worm, which I’m told is a good thing. There are far more fascinating things you could be doing at night than writing a paper; plus, you won’t need to squat in a locked-up building all night, reading yourself to unsteady sleep. By doing your readings earlier in the day, you’ll have a well-rested mind and all of Swem to yourself, as most students are nocturnal. In the basement and on the third floor, you will enjoy that eerie Swem silence.

p. __Sherif Abdelkarim is a junior at the College.__

Staff Editorial: Carbon neutrality a must

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Yesterday, the Landscape, Energy and Environment Committee endorsed the American College and University Presidents Climate Commitment, a pledge directed at U.S. schools encouraging them to become carbon neutral by the year 2020. College President Gene Nichol has previously deferred on the opportunity to sign the PCC, citing uncertain administrative support. However, the time for action is already overdue.

p. The College must fully commit to this agreement, which has already been implemented at 400 schools nationwide. Simply reducing emissions is not enough. Nichol must move to save on future costs and contribute to more sustainable development for the Williamsburg area.

p. This is a marvelous opportunity for Nichol and the College to stay abreast of other top-notch, forward-thinking institutions that have made similar pledges. The means are already in place: Several academic buildings and other campus facilities will undergo renovations in the coming years, including Tucker Hall and Andrews Hall. Much like the new Jamestown dorms, which were built to be energy efficient, similar goals should be enacted for these new renovations.

p. With the recent state budget cuts, costs of implementing such a program may be a concern, but they should not prevent Nichol from acting. In the long term, making the College carbon neutral over the next 13 years will save on future energy costs, and will make the College more attractive to prospective students. In a time in which environmental concerns are so prevalent, the College would be wise to keep pace.

Staff Editorial: Alert system woes

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Tuesday’s chemical spill at the Marketplace provided the College with its first opportunity to test the new emergency notification system. The system was adopted after the Virginia Tech shootings last April to provide an expedient response network that would inform students of campus emergencies. While it seems that the majority of students were made aware of the situation, the events of the day raised certain questions about the efficiency of the system, as well as the College’s approach to handling potentially tragic events.

p. The spill reportedly occurred at 9:30 a.m., yet the majority of students did not receive their warning phone calls until well after 11 a.m. because the messaged was reportedly sent at 11:15. While the situation in question was not extremely threatening, such a wide gap of time — as was the case at Virginia Tech — can potentially cost lives. In addition, Vice President for Student Affairs Sam Sadler said 157 students did not receive the message at all.

p. Furthermore, the automated text message service, which is supposed to instantaneously contact every registered cell phone on campus, failed to notify students in a timely manner. Many students did not receive text messages until 1 p.m. or later, more than three hours after the incident occurred. Also, some students have text messages from websites blocked on their cell phones and were not notified that the outside company relays the mass text message by e-mail.

p. It is also disconcerting that an entire month of school passed without a proper test of the system. Sadler informed students that the school was planning a trial run of the system, but the College waited too long. This chemical spill, though not a life-threatening emergency, served as a practical opportunity to test the system, but the results were discouraging.

‘Yuma’ does Western genre justice

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One of the first things that strikes you about “3:10 To Yuma” is that it’s bleak. Really bleak. The story, characters and even dialogue are all grim. As a consequence, the film feels just about as desolate and humorless as the barren Arizona landscape it depicts. Even the normally jolly Alan Tudyk (“Serenity”) cuts a rather somber figure. Such is the world that director James Mangold (“Walk the Line”) has chosen to set his contribution to the Western revival genre.

Drew releases spirited solo LP

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What exactly constitutes a side project? Is there such a thing in a collective where every member’s supposed “solo” works are produced with contributions from all of their friends and bandmates? With a laid-back, messy, indie rock album this good, does that question even matter?

p. These questions are raised by the newest import from the current capital of the indie rock world, the confusingly titled Broken Social Scene Presents: Kevin Drew’s “Spirit If…” Toronto’s Broken Social Scene is an amorphous collective of area musicians that covers the entire stylistic spectrum, from the straightforward pop of Feist to the instrumental jazzy experimentalism of Do Make Say Think. The band began as a side project of Kevin Drew and Brendan Canning; four years and 17 more members later, it has become one of the most critically acclaimed rock acts of the decade.

p. “You Forgot It In People” and “Broken Social Scene (Windsurfing Nation)” stand as two of the best off-beat pop/rock albums since the turn of the century, and the band members have used this success to ply their individual talents to a larger audience. This album by Drew is the first in the “Broken Social Scene Presents” series, in which the band plays and supports one of its members’ own work.

p. Not surprisingly, the album sounds very similar to BSS; Drew is the band’s leader and frequent lead singer. Here, his semi-obscured voice is set back into the music, rarely taking full control of a song. The kitchen-sink approach to production is here too, as all the instruments (including Drew’s voice) have a close-to-equal share of the attention.

p. However, one of the most redeeming aspects of a Broken Social Scene album is the group’s genre-hopping. BSS’s best tracks range from the pseudo-rap “Windsurfing Nation” to the sunny beach-pop of “Looks Just Like the Sun” (off “Broken Social Scene (Windsurfing Nation)” and “You Forgot It in People,” respectively). Part of the fun of listening to the group is the fact that it never sticks to one style.

p. On the other hand, Drew’s full control over this album eliminates much of the different influences familiar to BSS’s sound. Many of the songs sound like the band’s most straightforward rock songs.

p. This artistic control lets Drew’s influence shine through. The band’s Pavement-like sound is still present, of course, but a newcomer to the list of BSS influences is The Boss. “Lucky Ones” is a laid-back rocker in the Springsteen vein, with a powerful riff of piano and guitar surrounding Drew’s triumphant chorus, “I know we’re gonna be the lucky ones.” In addition, the Springsteen-isms team up with sounds reminiscent of My Bloody Valentine to turn what might be a Broken Social Scene classic into a messy anthem of feedback and flying guitars in “Back Out On The…”
Drew is also influenced by his closer contemporaries. His girlfriend, Leslie Feist (Drew, you’re a lucky man), lends the album its female vocals, a staple on BSS albums, in the very Feist-like “Aging Faces/Losing Places.”

p. Overall, very few songs on “Spirit If…” match up to the best of Broken Social Scene. The eclectic sounds of the larger collective are what you hope for in a BSS album, and these results are something wholly unique. But Drew’s talents are considerable, and this is a laid-back rock album that suits a Broken Social Scene fan as well as those looking for something a bit more grounded and consistent. We can only hope that other projects are as enjoyable as this one. Hopefully, the momentum from the band working together on each other’s songs will lead to an even more experimental and genre-exploding album from the entire collective.

Hot Hot Heat reinvents sound on ‘Happiness’

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Hot Hot Heat’s latest release, “Happiness Ltd.,” certainly supplies what any fan could hope for in an album — and perhaps even a bit more. While staying true to its brash dance roots and guitar-heavy beats, the band has truly managed to push the envelope in terms of genuine emotional content, as well as its own brand of musical innovation. Even with all this, what one ultimately finds in the album is a sense of the same thing that the more refined members of the indie-rock genre have been churning out for years.

p. From hearing the very first lines of the album — “Happiness is limited / But misery has no end” — there is indeed a compelling sense of honesty that was lacking on previous releases. No longer are we trampled by the dance-punk catchiness of songs like “Goodnight, Goodnight” or “Shame on You,” which, while they certainly had charm, were more than enough to incite a headache after eight tracks. Steve Bays’ latest lyrics, coupled with the gaudy power of his vocals on songs like “Good Day to Die” and “Waiting for Nothing,” now communicate far more what the 2005 album “Elevator” ever could have hoped, making for a slew of love songs that puts the band at the top of its game.

p. The forward progress definitely doesn’t stop at the lyrics, however. The band has clearly made a serious effort to shed some of the unabashed catchiness that characterized its last two records. The end result is evident right from the start. The opening and title track, “Happiness Ltd.,” begins discreetly enough — first with a light, percussive line in the synthesizer and then a somber bass line, laying the groundwork of a mellow instrumental opening. By the time Bays is on the scene, fading out with a mournful “it’s over,” an operatic piano break takes us right into a full-blown chorus in which Bays shouts lines over a breakdown in the band.

p. While the first track ends rather explosively, songs such as the single “Let Me In” and “Outta Heart” provide for the simplest, yet most moving, listening experience on the album, bringing us once more away from the in-your-face attitude of previous releases. In “Outta Heart,” Bays screams out, “Are you worth your weight in gold?” This is followed by the backgrounds’ response, “Oh, no! Oh, no!” above the lush sound of strings, making for an emotional effect that’s only now been explored by the band. But fear not, those of you whose blood still runs on zesty dance-punk, for songs like “5 Times Out of 100” and “My Best Fiend” pick up right where the group’s last records left off, offering the piano/synth beats and jazzy vocals that doubtlessly brought the band its fame.

p. Yet with all the lovely praise this album has afforded, some serious gripes need be addressed in order to provide a complete picture. Though the album sounds like a brand new Hot Hot Heat, it has quite successfully managed to sound like a mix of other significant rock acts, most notably The Bravery, Interpol and The Killers.

p. The opening track clearly takes elements from Interpol’s melodic use of the bass guitar and The Killers’ anthemic breakdowns. Where the band strays from such blatant influence, it simply reverts back to the same old territory, slightly altered, in songs like “5 Times Out of 100.” Though the album offers a solid array of songs, it’s basically what has been on the market for the better part of the current decade. But hey, if that’s what you’re looking for, look no further. Hot Hot Heat is in the here and now, and they’re apparently here to stay.

Coming Attractions: Sept. 21

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p. **Joni Mitchell — “Shine” (Hear Music)**
Inspired by the war in Iraq, Canadian folk singer Joni Mitchell’s new album uses her amazing voice and song-writing skills to focus on environmental and political themes. This is her first real studio album since 1998, and Mitchell doesn’t disappoint: her message is powerful and her delivery is, as usual, fantastic.
__Sept. 25__

p. **Iron & Wine — “The Shepherd’s Dog” (Sub Pop)**
The third studio album from Iron & Wine (stage name of singer Sam Beam), although not overtly political, was somewhat based on President George W. Bush’s reelection. Beam has the ability to record rambunctious songs followed by sensual melodies. “The Shepherd’s Dog” is another unique album.
__Sept. 25__

p. **“The Jane Austen Book Club” (Mockingbird Pictures)**
This adaptation of the 2004 Karen Joy Fowler novel portrays six people with fractured lives forming a book club dedicated solely to Jane Austen’s six novels. The cast makes a man-friendly chick flick. And don’t worry about understanding Austen references; you need not have ever taken a class in Tucker to enjoy this film. __Sept. 21__

p. **“Good Luck Chuck” (Lionsgate)**
Dane Cook may be funny on stage, but how about in a Hollywood comedy? A heavily manscaped Cook stars as cursed dentist Chuck; every woman he has sex with immediately finds her one true love elsewhere. With hundreds of women begging for a quickie, Chuck’s curse doesn’t seem so bad — until he falls in love.
__Sept. 21__

p. **“Chuck” (NBC)**
Once you suspend your disbelief, NBC’s new sci-fi dramedy “Chuck” is actually pretty good. Chuck (Zachary Levi) is a nerd employed at an electronics store who accidentally downloads large amounts of sensitive data from the CIA to his brain (I told you to suspend your disbelief). Now, he works to stop terrorists and assassins.
__Sept. 21__

Foster stars as vigilante in ‘Brave One’

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Revenge. The desire for it can be powerful and intense. It controls people. It blurs the line between right and wrong. But should people be able to break the law in order to achieve their own personal justice? The latest psychological thriller on the big screen, “The Brave One,” poses the question of whether people can differentiate between what is lawful and what is just.

p. The movie stars two-time Oscar winner Jodie Foster (“The Silence of the Lambs”) as Erika Bain, a radio personality in New York City and bride-to-be who seems to be living a perfect life. Her fairy tale takes a dark turn, though, when she is victimized in a traumatic mugging that takes the life of her fiance, played by Naveen Andrews (“Lost”). Erika finds herself bruised both physically and emotionally, and when the police are unable to find any leads to solve the case, she takes matters into her own hands. Living in fear of a city that she once loved, she feels she must protect herself and other innocent victims from criminals like the ones who killed her fiance. But at what point does acting in self-defense turn into murder?

p. This storyline may seem quite familiar to the audience: a scorned woman — abused and battered — seeks revenge on her attackers. The film is even reminiscent of a previous Foster movie, “Flightplan.” But this movie takes it one step further — adding various plotlines and characters to the mix. With his unique use of cinematography and shortened scenes, director Neil Jordan (“The Crying Game”) is able to creatively demonstrate the unstable mental state of a crazed vigilante in her pursuit of revenge.
Foster delivers one of her patent performances, reminding us why she is one of the most highly regarded actresses in Hollywood. And while we may recognize Foster in this role, she stands out in her ability to realistically deliver the gut-wrenching pain of someone who has lost her true love.

p. While somewhat tangential to the plotline, Terrence Howard (“Hustle and Flow”) makes a noteworthy appearance as Detective Mercer, who is investigating the crimes that Erika may have committed. Howard delivers another powerful performance playing the seasoned detective who, following a painful divorce, has developed a bleak outlook on life. His character’s need for comfort and friendship is the opening for a relationship with Foster’s character, showcasing the talent and versatility of both actors.
Oscar winner Mary Steenburgen (“Melvin and Howard”) plays Erika’s reassuring mentor, who perfectly complements the crazed demeanor of Foster’s character.

p. Filled with action sequences and graphic violence, this movie is definitely not for the faint of heart. The chilling and surprisingly realistic killings are brutal, and during my viewing prompted screams from the audience. The heart-pounding speed of the camera work during the action scenes produces extra anticipation. While the action sequences keep those in the audience on the edges of their seats, the plot stretches out for too long. Random characters seemed to be introduced into the story that had no relation to the encompassing plotline. Clocking in at over two hours, the constant excitement could exhaust you. Still, what it loses in originality, it makes up for in great violence and action — what many an audience craves.

At the head of the pack

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__Ed Moran ’03 caps off best professional season with Pan-Am gold__

Coming into 2007, Ed Moran ’03 planned to focus on achieving the World Championships “A” Standard at 5,000 meters. Little did he know that in his first attempt he would earn the “A” standard and set a personal best en route to his best season yet as a professional runner for Nike. For the record, Moran set three personal bests, earned three top-five finishes at USA Championship events and won the gold medal at the Pan American Games over 5,000-m during 2007.

p. Moran’s win at Pan Ams stands out among the rest of his accomplishments, and rightly so, as he set a Pan Ams record, timing 13 minutes and 25.6 seconds for the 5,000-m; moreover, Moran became the first American to medal at 5,000-m since Matt Centrowitz won gold in 1979.

p. Originally, Moran’s plans for the race were only to medal, but prior to the race he changed his mindset and formulated a race plan for the next day’s event.

p. “I have the tendency the night before to kind of have a visualization session of the race to kind of work myself through what the sensations are probably going to feel like at different points of the race,” Moran said. “At that point it was, ‘you’re here, why not just put it out there and see if you can go for the win.’ ”

p. After that change of focus, Moran determined that if the race went out slow he would make a move at around 3,000-m, and that if the pace was fast he would wait until 4,000-m. As it turned out, the two Mexican runners, Juan Luis Barrios and Jose David Galvan, made it an honestly paced race from the start.

p. “Starting the race I felt terrible. It was for the first probably about 800 to a mile I was really sluggish and I was kind of worried of what was going on,” Moran said. “It was probably around that mile mark. I don’t know what happened, but everything started to come together again.”

p. By the two-mile mark, Moran made up his mind that he would go for the victory. With 1,000-m remaining, Moran pushed the pace, dropping around a 59-second quarter to open a gap that would not be closed. Eventually, with the help of a jumbotron, Moran confirmed the distance he had gained on his competitors and put the finishing touches on his victory.

p.“[I] crossed the finish [and] it actually took a couple minutes to actually hit me. I didn’t really understand the gravity of the victory until I went back, grabbed my stuff [and] sat down for a few minutes. Then it automatically hits you and it’s like, not only did I win, but with a Pan Am record,” Moran said. “As of right now it was probably the greatest win of my life.”

p. At the beginning of the year, running at Pan Ams was not Moran’s primary goal. The focus had been to earn a spot on the U.S. roster for the World Championships, but a fifth-place showing at the USA Track and Field Championships in June sent Moran to Rio de Janeiro instead of Osaka for the World Championships.

p. “It took the wind out of my sails a little bit and it was one of those things that, ultimately, it was probably very good for me,” Moran said. “I went in there with high expectations, expecting to be able to just kind of walk away with the top-three and then you get your head kicked in. It kind of makes you sit back and reevaluate what you’re doing.”

p. Moran came into the 5km at the U.S. Championships a little less sharp than he would have liked due to a hamstring injury, but prior to the U.S. Championships he had set two personal bests, running 13:20.35 for 5,000-m at the Mt. SAC Relays and 27:43.13 over 10,000-m at Stanford’s Payton Jordan Invitational. Those times also satisfied “A” standards for the World Championships.

p. Even with a disappointing USA Championship, Moran rebounded well, taking third in the USA Men’s 10km Championships at Peachtree in Atlanta, finishing behind sub-one hour half marathoner Ryan Hall and race-winner Abdi Abdirahman. Moran added another personal best, 7:50.34 for 3,000-m, at the DN Galan meet in Stockholm to finish off his current cycle.

p. “I would say even more than the PR’s, staying healthy for an entire season has been a huge confidence boost,” Moran said. “To actually get through an entire cycle healthy and still move forward, that’s just meant a whole lot to me.”

p. Staying healthy allows Moran to build upon the successes of 2007 as he prepares for Olympic qualifying in 2008.

p. “Now, I think that I’m ready to take that next step to be consistently in the top five in the country at distances five to 10,000 meters,” Moran said.

p. With that new mindset, Moran will approach 2008 with a singular focus on the U.S. Olympic Trials next June and July and with hopes for a trip to Beijing.