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Quarterback carousel

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Just how important is the quarterback position to the Tribe? Lang Campbell, ’05, led the College to an Atlantic Ten conference championship in 2004, averaging 285 yards per game passing and throwing for 30 touchdowns. Over the past two seasons, senior Mike Potts and junior Jake Phillips have taken over quarterbacking duties and have gone on to average 218 and 212 yards per game in 2005 and 2006, respectively, while the two have combined to toss only 35 touchdowns over the two-year stretch. Despite boasting Elijah Brooks, one of the most prolific runners in College history, in the backfield, the Tribe has suffered back-to-back losing seasons since Campbell’s departure.

p. As Potts enters his final season and Phillips his fourth, the questions at quarterback still remain. Heading into Saturday’s Green-Gold scrimmage, which signifies the end of spring workouts, not only has neither quarterback emerged as Head Coach Jimmye Laycock’s choice to head the offense come August, but another player has entered the fray. Sophomore R.J. Archer, who materialized into one of the Tribe’s biggest receiving threats last season, has donned a red jersey this spring, testing his luck as a signal caller. The result is a Tribe offense that now sports three quarterbacks all capable of starting.

p. “It’s difficult in the spring to get the number of scrimmage or team type of situations to fully develop the quarterbacks and evaluate them,” Laycock said. “But right now, I couldn’t pick one of the three, but I’m not displeased with any of the three. I feel like all of them are doing well and are improving.”
In 2005, Potts began the season as the Tribe’s starter, but suffered some setbacks that caused Laycock to insert Phillips, whose play earned him the starting role to open the 2006 campaign. However, Phillips struggled last season, and Potts found himself once again starting games for the College. Yet because of problems throughout the offense, both were seeing extensive action under center by the end of the year, and the Tribe closed their disappointing season without a clear-cut starting quarterback.

p. Now fast forward to this spring, where Potts and Phillips continue to share snaps and Archer is proving he merits consideration at quarterback. Laycock and his staff are faced with the difficult task of choosing the starter, a dilemma with no clear answer in the immediate future.

p. “I don’t know [when I would name a starting quarterback]. I really don’t know,” Laycock said. “I would hope at least 10 days prior to the [Delaware] game that we are there. I’ve been there a few times before and you would like to get a starter as soon as possible, but I don’t want to set a date.”

p. While the uncertainty might bother some, Potts, Phillips and Archer all understand the importance of showing up each day motivated to work hard and to get better, both as a team and individually.

p. “We pretty much know we need to be more consistent,” Potts said. “On a day in and day out basis, we are working hard to focus on every single rep and be consistent every day in practice. It’s on us to step up and make that happen.”

p. Each has had a similar spring, at times looking extremely sharp and at times struggling with bad decisions. Regardless, all three have shown the talent necessary to lead the College next year.
“I feel like all three of us could play,” Archer said. “It’s kind of a rare situation to have a team where there are three quarterbacks that could be on the field.”

p. The onus will be on the quarterback even more this season, as all-conference assets Brooks, Cody Morris and Matt Trinkle have all exhausted their eligibility.

p. “All those guys were rocks on our offense, guys you could definitely count on,” Phillips said. “It is going to be tough to replace those guys, but right now we are excited because we have a lot of guys stepping up.”

p. Having spent two seasons platooning under center, Phillips is aware of what is expected of him and the veteran is forcing the looming quarterback controversy to the back of his mind.

p. “I’m just trying to take it one practice at a time, just trying to help and put the team in the best position to win and be successful,” Phillips said. “I’m just trying to find that unity in the offense, to mesh, and to get better and better … what happens happens, and everything will unfold itself.”

p. Potts understands the possibilities as well, but he is also mature enough to realize that each quarterback must step up and work to improve in his own way.

p. “I can’t compete against one guy, I’ve just got to compete against myself and try to be the best that I can every day,” Potts said. “I’d like to say ‘yeah, I’ll step up and be the guy,’ but I mean you never know because that’s not my decision to make.”

p. Archer’s foray into the quarterback position has been a successful one so far, as the former wide out has quickly adjusted to his new role on the team.

p. “I think it’s coming back to me,” Archer said. “I’m not completely pleased. There is definitely stuff I can improve on. I’m definitely my toughest critic so I feel like there is always something I can do better.”

p. Because of each quarterback’s strong performances this spring, don’t expect Laycock to force the role of starter onto only one player. Last year the coach shuffled through Potts and Phillips often, and he is not ruling out the option again this season, as long as the results are successful.

p. “We’ve got to do what we’ve got to do in order to move the ball and get a chance to win,” Laycock said.

p. All three quarterbacks are determined to propel the Tribe to a winning season this year, as last year’s disappointing season has so far provided added incentive to perform.

p. “The players on this team are extra motivated to play next season and to rebound from last year,” Phillips said. “We know we can do a lot better and we are excited to get the season started.”

Men’s Tennis: Men earn third seed

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__Team hopes to recreate ’05 CAA tournament success__

The men’s tennis team enters the Colonial Athletic Association Tournament with hopes of reliving the glory of their championship run from the 2005 season. Virginia Commonwealth University, the same team the College defeated for the title in 2005, returns to the CAA tournament as defending champion, top seed, and one of the four teams competing ranked nationally in the top 50.

p. The Tribe, currently ranked 36th in the nation, received the three-seed and a first round bye, setting up a quarterfinal match against James Madison University today at 4:30 p.m. at the Huntington Park Tennis Center in Newport News.

p. The Tribe’s season record of 15-10 has enabled them to hold a high ranking this season, but the College has also had cause to celebrate individual rankings within the team. Senior Colin O’Brien and junior Alex Cojanu are the 20th-ranked doubles team in the nation, having ranked as high as 6th earlier in the year. Cojanu and freshman Keziel Juneau are also ranked in doubles, holding the no. 35 national ranking. This week, the duo earned their third CAA Doubles Team of the Week honors of the season. Cojanu continues to have a standout season in singles as well, as he holds the no. 97 ranking nationally.

p. The College’s 15 wins mark only the eighth season since 1977 that the Tribe has achieved the 15-win plateau. Seven of those seasons have come under current head coach Peter Daub. If the Tribe emerges victorious this weekend, it would give O’Brien two CAA titles during his collegiate athletic career.

p. The winner of the CAA Championship receives an automatic bid to play in the National Collegiate Athletic Association Tournament.

Women’s Tennis: Women get top spot

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__Team carries in no. 13 rank nationally__

Women’s tennis will compete in the Colonial Athletic Association tournament at the Huntington Park Tennis Center in Newport News, Va., which began yesterday.

p. The Tribe, who enter the tournament ranked 13th in the nation, will be the top seed as they pursue their 19th CAA championship. The College received a bye for the first round and will proceed to the quarterfinals, where they will meet eighth-seed Towson University today at 11:30 a.m. Towson advanced to the quarterfinals with a 4-1 victory over ninth-seeded Drexel University Thursday. The Tribe carries a perfect 2-0 conference record into the tournament, having defeated the Old Dominion University Monarchs 5-2 and defending CAA champion Virginia Commonwealth University 4-3.

p. The College will be out for revenge against the second-seeded Rams, who defeated the Tribe 4-1 to take the CAA crown last year. VCU is currently ranked 26th in the nation. Despite last season’s setback, the Tribe has won the CAA tournament 18 of the last 21 years and has reached the finals every year the tournament has been run.

p. Senior Megan Moulton-Levy finishes the regular season ranked first in the nation in doubles with partner sophomore Katarina Zoricic and sixth nationally in singles. Zoricic stands 60th in the nation in singles. Freshman Ragini Acharya performed well in her first season with the Tribe, and closes out the season ranked 120th nationally.

p. The College closes the regular season with an 18-2 record and ranked in the national top 20 for the 10th straight week. The Tribe also captured the final two CAA weekly awards, as Moulton-Levy earned both Singles and Doubles Player of the Week honors. The winner of the tournament will gain an automatic bid to the NCAA Tournament, beginning April 25th.

Suns, Cavs to star in 2007 NBA playoffs

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A mere five and a half months since my prediction of a Clippers-Cavs NBA Finals, and let’s not forget my wise calls for a Bears Super Bowl victory and a UCLA national title, either, it’s playoffs time in the NBA, which means that it’s time for some more spot-on, can’t-miss predictions from yours truly.

p. **EASTERN CONFERENCE**
The bottom three seeds of the East — the New Jersey Nets, Washington Wizards and Orlando Magic — will all make quick exits. The Wizards are a sad case, because with a healthy Gilbert Arenas and Caron Butler, they would have had a legitimate shot at making it to the Finals on the strength of their tremendous scoring ability.

p. The Chicago Bulls got the raw end of the deal this year, as they get stuck in the no. 5 seed and will battle the reigning NBA champion and fourth-seed Miami Heat, despite having a better record than both the Heat and the third-seeded Toronto Raptors. The second-seeded Cleveland Cavaliers will make quick work of the inexperienced Raptors in the second round, advancing to the conference finals. I expect the Heat to be too much for the Bulls to handle, with Shaquille O’Neal playing as well as he has in years. However, the top-seeded Pistons’ experience and balance will carry them past the Heat in the second round, thereby avenging last year’s loss in the conference finals. In a rematch of last season’s conference semifinals, the Cavs and Pistons will once again play a seven-game series, only this time with Cleveland besting Detroit, as LeBron James takes over at the end of games just when the Cavs need him to.

p. **WESTERN CONFERENCE**
Let’s be honest, this is the real NBA Finals. Even die-hard fans of other teams must be secretly praying for a matchup pitting the Dallas Mavericks and Phoenix Suns against each other. They each could be in for a bit of a test in the first round, however, as the seventh-seeded Los Angeles Lakers and eighth-seeded Golden State Warriors are more than capable of playing up to their competition. Both Dallas and Phoenix should advance, however, as should the San Antonio Spurs in the three seed. The Spurs better hope they make quick work of the mediocre Denver Nuggets (how’s that Allen Iverson trade looking now?) so that they can rest up before taking on the fast-paced Suns. Don’t forget about the four vs. five match-up, however, as the surprising Utah Jazz host the Houston Rockets. I’m going to go with Houston in this one – McGrady has just been too good this season, even in Yao’s absence. In the second round, I expect the Rockets to push the Mavericks hard in the first couple of games, but eventually succumb to a Dallas squad too deep for the Rockets to handle. While I’m reluctant to ever count the Spurs out of a series, I can’t see the Suns to San Antonio in their second round match-up. Not only are the Suns a fast break waiting to happen, but Amare Stoudemire is now once again capable of taking over a game in the half court after his remarkable comeback from injury.

p. This brings us to the Western Conference finals, a dream of a series between the Suns and the Mavericks. It’s really hard to pick a winner in this one, as both teams are capable of going on streaks during which they are unstoppable, and each has several game-changing performers in Leandro Barbosa, Raja Bell, Shawn Marion, Steve Nash and Stoudemire for the Suns and Devin Harris, Josh Howard, Dirk Nowitzki, Jerry Stackhouse and Jason Terry for the Mavericks. In the end, though, I like the Suns. The demons of last year’s Finals collapse are apparently still dogging Nowitzki, as he has faltered at the end of several big games thisseason. Also, with Stoudemire back in the mix and their transition game thriving, the Suns can put up plenty of points even when their outside shooting is off. This series should go seven ultra-competitive games, with the Suns finally coming out on top.

p. **NBA FINALS**
The Suns will prove to be too much for the over-matched Cavaliers, running them ragged up and down the court. Stoudemire wins the MVP trophy as the Suns take the series in five.

LaBoeuf stars in eerie ‘Disturbia’

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“Disturbia,” starring former Disney channel goof Shia LaBeouf (“Holes”), will make you laugh as much as it will make you scream. The story, based roughly on Alfred Hitchcock’s “Rear Window,” centers on LaBeouf’s character, Kale, spying on the potential murderer next door while he’s under house arrest.

p. The reason Kale is stuck at home is that he was sentenced to three months house arrest after punching his Spanish teacher. This dramatic shift in his character opposes that of the opening scene, a tender father-son fishing trip that would fool anyone into thinking they had mistakenly wandered into a G-rated movie. The next scene, however, shows his father’s death, which is (you guessed it) disturbing.

p. Kale must suffer the consequences for punching his teacher, so while he’s under house arrest, he entertains himself with humorous antics. From building towers of Twinkies to eating spoonfuls of peanut butter dipped in chocolate to stomping on a flaming bag of crap left by neighborhood kids, Kale proves to be foolish but loveable, much like LaBeouf’s character, Louis Stevens, on Disney Channel’s “Even Stevens.” But LaBeouf has certainly grown up. His slapstick acting still makes for delightful, hearty laughs, yet his character’s grieving side taps into our sympathy. Kale’s personality and the story are so developed that early in the film it’s apparent that this is more than just a horror flick.

p. Aside from the untimely death of Kale’s father, the film shows very few signs of being a thriller until well into it. Since he’s under house arrest, Kale’s entertainment of choice is spying on the neighbors — especially the hot girl next door, Ashley, played by Sarah Roemer (“The Grudge 2”), who’s just too sexy and cool to be real. The story spends more time on the romance than on the suspicious neighbor, Mr. Turner, portrayed by David Morse (“Proof of Life”). His appearances up to that point have been spaced out and only questionably creepy, which isn’t quite what I would call suspense. The way he hits on Kale’s mom is plenty unsettling, but it’s not definitively scary.

p. The suspense part of the story becomes more than unsettling the night Kale and Ashley make out for the first time. As blood spatters on windows in the house next door, they’re horizontal on the bed. The murderer is secondary in their minds, just as he was secondary in the plot. But from here, the plot accelerates exponentially. From that point to the end, brace yourself for a roller coaster ride of perfectly timed surprises, echoes of “Silence of the Lambs” and the “Here’s Johnny!” scene from “The Shining,” as well as a few cringe-inducing gore moments.

p. Don’t worry, “Disturbia” is not in the same category as “Saw” or “The Hills Have Eyes.” The gore is there, but it’s economical, not the desensitizing stuff of slasher movies. There’s an actual story, quality actors in complex roles, warm fuzzy moments and lighthearted laughs. Even the scary scenes are more fast-paced fun than terrifying kill fests. For those who enjoy a plot, an adrenaline rush and a happy ending, or even those who just enjoy Shia LaBeouf, go see “Disturbia.” You may not be disturbed, but you won’t be disappointed.

__Two stars out of Five__

‘Pathfinder’ lost in own blood and gore

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What do you give a generation of moviegoers who have been accustomed to Spartans, hobbits and superheroes? Vikings, of course. These aren’t your grandparents’ Vikings, either. Forget Leif Erikson, all that guy ever did was discover Newfoundland. These Vikings are dressed in outlandish furs wearing helmets meant for beasts, equipped with dogs, horses and snowboards. Why go for historical accuracy? Director Marcus Nispel (“The Texas Chainsaw Massacre” remake) said it best when he explained that these Vikings “are just plain cooler looking.” With that kind of confidence in your project, it’s hard not to be enthused about the viewing experience.

p. When first seeing the trailer in theaters, it looked to be a nice little niche film that would be able to satisfy the gorehounds. Instead, the best shots in the trailer appear in the first minute of the opening scene. So what’s left of the movie?

p. The film stars Karl Urban, whose most accomplished role to date was that of a silent Russian in 2004’s “Bourne Supremacy.” Urban portrays a confused young man who was left by his Viking family for dead with American Indians. Many years later, Urban is a nice, chiseled grown man with a peaceful life. However, his life of tranquility is interrupted with the arrival of his former people once again. His former amigos waste no time in doing what they do best: commiting genocide. All of this happens within the first act, as the movie says to hell with any sort of development and gets right into the battle sequences. That said, this may have been a good idea considering that the minimal dialogue that was present was irritatingly wooden. Watching paint dry may have been a nice alternative to listening. Don’t believe me? Try this dialogue on for size: “If you can’t kill the bear, use the bear to kill it” (emphasis on the “it”).

p. The portrayal of the American Indians is about as stereotypical as it gets. The film would have you believe that spouting proverbs that make no sense, having no sense of military tactics and giving each other nonsensical names is the only thing American Indians are good for.

p. Warning: If you don’t know anything about Vikings, “Pathfinder” shouldn’t be one of your resources for your next paper. That is, unless you want to believe that Vikings were inhumane, psychotic, masochistic men who were a highly advanced group of people who wrote that book “Torturing 101.” But, then again, remember that these Vikings are so much “cooler” than the real ones.
If there’s one thing Nispel does know how to do, it is definitely how to handle his gore. The film’s greatest asset is its ability to dash out the violence by the hundreds — if only the violence made any sense. These Vikings seem to arrive on a whim to rape, kill, pillage and burn American Indian villages — but why?

p. Based on the graphic novel of the same name and clearly aimed at a specific audience, “Pathfinder” may deliver a somewhat enjoyable experience. But to those who are new to this genre, “Pathfinder” is nothing but loud, gratuitous and pointless. Its violence is so over the top that all it will be able to muster up is maybe the occasional shrug of the shoulders — anything more and the filmmakers should consider it a victory.

p. The screenplay lacks any sort of cohesiveness — not even Gorilla Glue could piece this bad boy back together. With an incredibly short first act and a pointless third, the movie can only rely on the second act, which consists of the senseless killing of American Indians, over and over again.

p. If only the movie took its cue from the title and actually had a path to follow, then maybe it would have had some sort of direction.

p. __One out of Five Stars__

Reznor, NIN find niche

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I can honestly say I have never been a huge fan of Trent Reznor’s brainchild, Nine Inch Nails, but that doesn’t mean I don’t respect him. I loved Johnny Cash’s rendition of the Nails song “Hurt” — Reznor’s pained lyrics are amazing and took on a whole new meaning when sung by the ailing Cash — but the original version is downright unlistenable. I am anxiously awaiting the release of the new Queens of the Stone Age album if not only to hear Reznor’s guest appearance vocally and lyrically, but the new Nine Inch Nails album, “Year Zero,” released this week, wasn’t even on my radar until after it came out, and only then because of numerous raving reviews. Like I said, while I respect the man’s talent, I have never been a fan of Nine Inch Nails’ “music.”

p. I have always equated Reznor’s work with angry, depressing, loud, grating, Marilyn Manson-style social commentary that merely pretends to be music. That isn’t to say I don’t see Reznor and Manson as absolute geniuses — in fact, quite the opposite is true. Any artist who can organize a mass musical rebellion against societal norms through painful music, both lyrically and in the music’s utter discordancy and chaos, must be a genius. Being able to make music that sounds like shit be enticing and powerful takes real skill — most just end up sounding like shit. Sure, some of their lyrics are true poetry if looked at on their own, but when set behind chainsaw bass, screeching guitars and synths and a style of singing that more closely resembles rhythmic growling, the words seem to lose their meaning. That is what I thought, anyways — until now.

p. “Year Zero,” Nine Inch Nails’ sixth studio album in its 18-year career, marks a turn in Reznor’s musical musings. That is to say, this is actually music. Sure, the album is still made of chainsaw bass, screeching guitars and synths and rhythmic growling, but for some reason it sounds more — for lack of a better word — musical. The songs on the album, unlike songs on previous Nails albums, actually sound like songs with melodies, harmonies and hooks that could easily be found in any rock album out there. The only difference here is that Reznor mixes the good the with the bad, making for melodious discordancy, if such a thing can exist, and in many ways, that gives the album a unique type of atypical beauty.

p. And yet, is there really that much of a difference between Reznor’s latest brand of organized chaos and that found on his previous five Nails albums? Perhaps, but I contest that our ears are learning to hear the order within the disarray and appreciate it for its perfection amid a soundscape of disorder. Nine Inch Nails has been producing electronic music for the better part of two decades, and it seems we have finally caught up to it.

p, Think about the fact that when “The Eraser,” the solo album of masterfully electronic laptop music by Radiohead lead singer Thom Yorke, was released last year, it shot up to second on Billboard’s Top 200. An album of slow, depressing, brooding music — about the farthest thing from pop, rock and country that you can find — made it to the top of the charts. For a time it was the highest-selling album on the iTunes music store. Since when did the average listener spend his time listening to “laptop” music? Who ever even heard of laptop music before Yorke’s debut solo album?

p. The fact is, the world of music is changing, and that is in large part why “Year Zero” will sound surprisingly appealing to even average listeners. In fact, some of the songs could even make it on the radio or on MTV. “Survivalism,” a back-handed insult to American hypocrisy, is quick, catchy and rocking, complete with a fist-pumping chorus of featuring several overlays of Rexnor’s voice, creating the awesome effect of one man sounding like an unruly mob singing, “I got my propaganda / I got revisionism / I got my violence / In hi-def ultra-realism / All a part of this great nation / I got my fist / I got my prayer / I got survivalism.” “Zero Sum” takes a little time to get started, but when the slowly entering piano comes to play full chords over some only slightly augmented drums, the relief it gives sounds like the most beautiful piano you’ve ever heard, turning what is a grating, painful mess into a sort of tainted beauty. Even the chorus feels like something you might sing at a campfire, arm in arm with your loved ones, even though the lyrics run, “Shame on us / Doomed from the start / May God have mercy on our dirty little hearts / Shame on us / For all we have done / And all we ever were / Just zeros and ones” — a rather unsettling view of humanity.

p. Reznor’s unique ability to produce music that is beautiful in its ugliness, what was once so hard to understand and so unappealing to many, has survived into a musical movement and age where its genius might finally be realized. Nine Inch Nails may never be wholly popular, but with such an eclectic mix of music finding its way onto the charts and into our iPods these days, perhaps Nine Inch Nails has found a niche in the new millennium.

The age in which music television wanes horribly un-musical

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I was in my room flipping through channels the other day, and I ran across a commercial about a new reality show called “Living Lahaina,” which would be airing soon on MTV. All of a sudden, I started shouting obscenities at the TV screen, my boiling anger rising to the surface as my roommate desperately tried to calm me down. Not again. Not another dim-witted, high school drama-filled, “Laguna Beach” replay that’s replacing my music.

p. Honestly, I’ve had it with defective reality shows that have engulfed music-oriented networks and have diverted them from spreading the importance of music in popular culture. The most I get now is a bunch of emo bands crying about cute puppies and Hilary Duff’s lack of vocal dexterity used as soundtracks for these reality shows.

p. Since 1981, music television has had a colossal impact on popular culture and the music industry. With the creation of MTV, music shifted from sound recordings to visual representations of these recordings called music videos. MTV showcased these videos, playing them non-stop, 24 hours a day, seven days a week. It became a popular marketing tool in the music industry and promoted various genres of music that helped turn nobodies into superstars.

p. A few years later, VH1, a spin-off channel from MTV, was launched to focus primarily on softer music genres, such as R&B, Top 40 and adult contemporary. BET, a network that started in 1980, has covered a wide range of programming specifically aimed at black audiences. In the past 20 years, BET has had programs consisting of music entertainment, particularly gospel, hip-hop and R&B.

p. Now, music television is less focused on music and its aesthetic values and more on commercial success, TV ratings and what sells at the moment. Each of these networks has completely erased its original concepts of music television and distanced themselves from music programming. Instead of having shows that are at least educational or socially and politically active, they contain empty-minded, generalized images of American society that range from blonde-haired dunces, the angry black male and rich kids who bitch and moan to their parents because they can’t find the right outfit for their super sweet 16.

p. Just look at the numerous reality shows that have been dumped on these music networks. MTV, which currently aims its programs at teenage audiences, has shows such as “NEXT,” a dating show that has revolting contestants make half-witted remarks and say staged lines that make them look more foolish and unattractive than they already are. “The Real World,” which used to be a socially conscious reality show, touching on subjects of racism, religion and sexuality, has quickly turned with the notion that “sex sells,” having guys and girls who look like they just came from a modeling shoot discuss their sexual fiascos and late-night drunkenness that ends in roommate brawls.

p. BET, which is not mainly focused on music, has reality shows that give a poor representation of the black community. “College Hill,” a show that supposedly gives a positive, inside look at historically black colleges and universities, is basically a more intense and louder “Real World,” just with black college students. (I would go on ranting about this channel, but there is not enough space in the paper, so I will refrain from doing so.) And let’s not forget VH1, which used to have shows such as “Behind the Music,” which had narrative biographies of successful musical artists and their role in popular culture. VH1 also had “VH1: Storytellers,” a show on which musicians performed live in a small, intimate setting, telling stories about the significance and meaning of music that they created. Instead, “Celebreality” is what VH1 is presenting on television, giving washed-up celebrities another five minutes of fame before they realize that they were never really that popular.

p. These networks have become a nuisance and are wasting my time. Music programs that catered to specific genres of music have vanished. They rarely play music videos, and when they do, it’s at a time when only insomniacs and some college students are awake to watch. One could argue that there are other TV stations that play strictly music videos, such as mtvU and MTV2, but not everyone has access to these. Furthermore, if these networks were not bombarding people with over-the-top, fabricated reality shows, there wouldn’t be so much criticism on music networks and their part in the progression of music in the media. Although music television has reached diverse audiences, having an enormous impact on the television industry and facets of American culture, it forgot its essential component: the music.

p. __Genice Phillips is a sophomore at the College. She admits that, while she dislikes music telivision reality shows in principle, she does thoroughly enjoy “Flavor of Love.”__

Virginia Tech gunman identified as student

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The gunman who took the lives of at least 30 people yesterday on the campus of Virginia Tech has been identified as Cho Seung-Hui. Cho was a senior English major and a native of South Korea.

p. According to the Collegiate Times, the student newspaper at Virginia Tech, University Police Chief Wendell Flinchum confirmed that the 23-year-old Cho was a student and an alien resident of the United States.

p. Flinchum also reported that ballistics evidence linked the shootings at West Ambler Johnston Hall and Norris Hall. Bullets retrieved from Ambler Johnston Hall were consistent with those from one of the weapons used at Norris Hall.

p. Police recovered two guns, a 9-mm Glock and a .22-caliber semi-automatic, from Norris Hall. The serial number was filed off on both guns. While one of the two recovered guns was used in both shootings, Flinchum could not yet confirm that the same gunman had perpetrated both attacks.

p. Authorities were hesitant to link the two shootings yesterday because a physical description of the shooter varied at each site.

p. According to CNN, Colonel Steven Flaherty of the Virginia State Police said that authorities are still investigating the possibility that Cho had an accomplice, either in the planning of the rampage or the shooting itself.

**‘He was a loner’**

p. Details about Cho are scarce.

p. “He was a loner, and we’re having difficulty finding information about him,” Virginia Tech Associate Vice President for Community Relations Larry Hincker said in an MSNBC report.

p. There might have been red flags to Cho’s likely troubled psyche. According to Carolyn Rude, chair of the English department at Virginia Tech, Cho’s disturbing writings led to a referral to the school’s counseling service.

p. “There was some concern about him,” Rude told the Associated Press. “Sometimes, in creative writing, people reveal things and you never know if it’s creative or if they’re describing things, if they’re imagining things or just how real it might be. But we’re all alert to not ignore things like this.”

p. Rude said she was not aware of the outcome of the referral.

Cross placement decided

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The William and Mary Committee on Religion at a Public University released its consensus opinion yesterday on the future location of the Wren cross. Committee members agreed that it should be located on the east door of the entrance to the Wren Chapel.

p. “The case will be in the area along the north wall and near the rail that separates the chancel from the pews,” a College press release stated.

p. The cross will be placed in the display case as soon as the case is ready. A plaque explaining the College’s historic ties with Bruton Parish Church and its Anglican roots will accompany the cross.

p. “This location accomplishes our goal for the cross to be permanently displayed in a prominent and readily visible location within the Wren Chapel,” Committee Co-Chair James Livingston said in the press release.

p. College President Gene Nichol and Board of Visitors Rector Michael Powell have expressed their support for the Committee’s decision.
In January, Nichol formed the 14-person committee, chaired by Livingston and Alan J. Meese, Ball Professor of Law, to investigate the role of religion in public universities. It has come to a relatively quick and widely accepted answer to the controversy generated by his previous decision to remove the cross from the chapel.