A lot of questions have been raised about the Sex Workers’ Art Show. Is it educational art or pornography? Does it accomplish its purpose of raising awareness about a sector of society that most folks overlook, or does it simply incite controversy? Was former College of William and Mary President Gene Nichol justified in allowing the show to come to campus?
Is current College President Taylor Reveley also justified in doing so? Should Virginia General Assembly members just shut up and mind their own business? (The answers to these questions, by the way, are in order: art, both, yes, yes and please God yes before I drive up to Richmond and completely lose it.)
But there’s one question that so far nobody has asked: Who cares?
For those of you who have been living under a rock, let me summarize the conflict quickly. In one corner we have student groups — many of whom are part of the campus counter-culture — who see the show as promoting a healthy dialogue on issues of sexuality, class, gender and poverty. They believe that while controversial and provocative, the show is useful and beneficial for the student body. They correctly argue that no one — the state, the College or its president — has a right to censor the content of the show.
On the other side are people who say the show is tasteless — that it undermines the standards of education that the College promotes, and that it invites unnecessary scandal to a school that has experienced more than it could take over the past few years. Last year, they showed up waving signs and heckling the performers.
They believe that the show consists of total perverts, that it is disgusting, and that no argument — based on the First Amendment or any other logic — could justify inviting the performers to campus. Any idea why these two groups might not get along?
It’s basically like the First Battle of Bull Run, culture-war style. Everyone chooses sides, and the few who don’t just pack a picnic basket and come out to watch.
The problem over the last few years was that each group was more focused on insulting and demonizing the other than they were on productively defending their point of view. The tenor of the debate was shameful, and the College suffered as a result.
This year, when the news broke that Reveley would not block the performance, tempers flared again. Within an hour of the story being posted on The Flat Hat’s website, both sides had taken up arms and raced onto the scene, and the same old culture was back.
Here’s a simple idea: If you are one of the people who is actively supporting the show, great. But is it really necessary to raise extra controversy simply because you can?
On the other side, isn’t there something better to do with your time than bitch and moan about one on-campus event that is sponsored by a variety of groups and has the financial backing of elected student leaders? If you’re really that bored, why not conduct a study on how Virginia has the dumbest state legislators in the nation? That would probably help the College more than showing up to the SWAS and waving a sign.
The fact is there are far more important things facing the student body, and devoting such time to the Sex Workers’ Art Show is dangerous. In the past week alone, we’ve learned that city residents are spying on students by, among other things, recording the cars that are parked at different houses. More lawsuits and evictions certainly seem possible over the coming months.
On campus, the Dean’s Office and the Office of Student Affairs continue in their onslaught against Greek Life. Perched in their Campus Center penthouses, the enforcers-in-chief seem content to cover the fraternities with a magnifying class and watch them burn like ants. This semester could see the complete demise of on-campus Greek Life, although that process began long ago.
The College continues to suffer in the midst of an economic crisis that is likely to get worse, and there is a proposal in the Virginia General Assembly that would make the College 80 percent Virginians, assuring that we slip a few more spots in the U.S. News & World Report rankings.
These problems are serious. They affect the livelihood and well-being of large percentages of the student body.
The Sex Workers’ Art Show doesn’t. In fact, it doesn’t really matter at all.
Alexander Ely is a senior at the College.