“The Mist” is my absolute favorite Stephen King story, and I have always wanted to see a film adaptation of it. Directed by Frank Darabont (“The Green Mile,” “Shawshank Redemption”), “The Mist” doesn’t disappoint.
p. “The Mist” is a beautiful film to watch. Darabont chose a documentary approach for much of his cinematography, and it works. The fluid motion of the camera lends realism to the fantastical events of the story and constantly keeps the audience’s attention, while providing a kinetic energy throughout the film. The audience floats among the characters, trapped with them in their doomed fate.
p. The visual effects of “The Mist” are as stunning as the cinematography, though the film does sometimes suffer from the usual CGI overkill. The mist itself creates an alien atmosphere that drives characters apart through fear, creating endless tension. It becomes the ultimate unknown, both hiding and exacerbating the true horror of what has happened.
p. The CGI creatures, while cleverly designed, are a little off. For the most part, they are effective; however, the way the actors reacted to them occasionally left me thinking more of the challenges actors face when having to pretend there’s something there when there isn’t, rather than how the characters would actually react to otherworldly horrors.
p. Unlike in other films of the genre, the creatures are not the true horror behind the story. While they themselves are often chilling and terrifying, it is the characters’ reactions to them, and their different ways of reacting to fear that drives “The Mist.” For better or worse, this is a movie with a philosophy.
p. As one character puts it, “Put people together for long enough and eventually they’ll think up reasons to kill each other.” It may seem preachy, but the movie takes a stand and presents its position uncompromisingly. On a side note, strongly religious people may be offended at the film’s portrayal of faith as the characters choose sides, split between rationality and religion.
p. Those who have read King’s novella will be happy to know that, for the most part, Darabont remains faithful to the original story. The changes he makes serve to better develop the characters, and their new actions in the film are extrapolated directly from the way they are portrayed in the novella.
p. The script is tight — perhaps too tight in places, rushing past scenes that should have been more fleshed out in the beginning. Still, once the film picks up, it never really lets go until its brutal climax.
p. The ending of the film is the largest change from the original story and the most influential part of the film. The ending will either ruin the movie for you, or will leave you thinking it was the best ending possible. There is no middle ground.
p. “The Mist” takes the horror genre to the next level and becomes truly horrifying — not in the sense that it is scary or gory, but in that it leaves you frozen in terror at what has occurred. It features a brave, unconventional ending and it’s up to each individual viewer to decide if they hate it or are impressed by it. One thing is for sure: Don’t expect to feel happy about humanity after seeing it.
