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Sandler charms in ‘Reign Over Me’

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Mike Binder’s “Reign Over Me” narrates an unusual relationship between Alan Johnson, played by Don Cheadle (“Crash”), and Charlie Fineman, played by Adam Sandler (“Click”). Once college roommates, they are two sides of the same coin. Alan has gone on to become a successful dentist, but Charlie is a broken, nearly insane man whose entire family died in the terrorist attacks of Sept. 11, 2001. A surprisingly lighthearted tale of loss and healing, the film is charming, but too often it sacrifices solemnity for comedic cheap shots.

p. Perhaps the most intriguing aspect of this film — the feature that piqued everyone’s interest when previews were released — is Adam Sandler’s presence as a dramatic character in a dramatic movie. It often proves difficult for comedians to make the transition to drama. One can reference Jim Carey’s less than satisfying “The Truman Show,” “The Majestic” and his latest flop, “The Number 23.” Robin Williams, too, proves uncomfortable out of his comedic skin; “One Hour Photo” didn’t do too well, for example.

p. It must be said that Sandler slides more gracefully into drama than others like him. He by no means gives a seamless performance, often relying on stock expressions, but his grief and anger are real. Like Johnny Depp in “Secret Window,” Sandler has wisely chosen a dramatic but quirky role in which he is not obligated to keep a straight face, but can showcase his prowess with a few emotionally charged scenes. He plays a loose cannon. Charlie is prone to bursts of violence and despair, but can also be childlike and fun-loving. Cheadle, his successful counterpart, also engages in the humor/pathos dichotomy. He is stifled by his controlling wife and boring career, and finds great fun in playing Charlie’s video games and riding his scooter. Ineffably likeable, Cheadle is a joy as usual.

p. What undercuts both actors and story, though, is the film’s ongoing identity crisis. It does not know whether it wants to be a comedy or a tragedy (well, more pathos, really, but why be technical?), and it doesn’t possess enough poignancy to be a tragicomedy or enough darkness to be a black comedy. There are too many scenes bordering on goofy, so what is it? While the moments of comic relief (and there are many) are often clever or merited, enough are gratuitous to devalue its drama. Granted, it’s still a very good movie that proves powerful enough to pay attention to, but the viewer cringes when an unnecessary or overly obvious joke is made at the expense of the seriousness of the characters’ situations.

p. The film is fun, but it is much more than mere entertainment. The relationship between Alan and Charlie, though not really subtle, is heartwarming. Charlie brings out the child in Alan; Alan helps Charlie confront the memories he has repressed. There are stormy moments in which Charlie has an outburst and the two are at odds, but otherwise, their relationship is so feel-good that the viewer cannot help but feel a sense of foreboding. It seems like this can only end in tragedy (the price the viewer expects to pay for all of the laughs she has enjoyed). The movie avoids an unnecessary and contrived tragic ending, which is good, but substitutes it for a happy one that is almost too clean.

p. Still, despite the genre confusion (and maybe one has to step away from “genre” to enjoy “Reign Over Me”), the film has a lot to offer. Though the characters are not terribly realistic, they interact in interesting ways. Similar to “Crash,” it intertwines apparently unconnected characters in such a way as to give everyone at least some measure of worth. These sorts of movies are usually life-affirming and clever.

p. One of the best aspects of the film is its hot soundtrack. The film’s title comes from a classic, somewhat precocious metal ballad by The Who, which is played both in its original form and redone for the credits. Though love heals, this theme isn’t really prominent enough to justify the title. Still, Charlie’s preoccupation with music as an escape adds flavor. The Pretenders, Bob Seger and Bruce Springsteen all make an appearance.

p. Seeing Adam Sadler in a serious role is a unique enough experience to justify seeing “Reign Over Me” — but it falls quite a bit short of the masterpiece mark.

__Three Stars out of Five__

‘Far Away’ entertains

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“Far Away,” presented by the College’s Second Season, proved an entertaining foray into surrealist British theater. Ably directed by senior Alexandra Ruperti, the play combined projected multimedia, a superb choice in music and sound and effective set design to lay the foundation for quality acting. The play is broken into three seemingly unrelated acts. Each engaged the viewer in different ways.

p. The first act slowly describes a terrible scene a child has witnessed, leaving the audience guessing what exactly the story is. Junior Bess Kaye aptly portrays Harper, the aunt who knows her husband is doing a violent wrong. Similarly, freshman Maggie Seegers’ dramatic skill shows as she plays Joan, the innocent but inquisitive child who knows she has seen something she ought not.

p. The beginning of act two shows the Seegers and Todd, played by junior Alex Danvers, working in a hat shop. While the dialogue is interesting and the scene staged well, this scene draws one of only a few criticisms of the show. Both Seegers and Danvers demonstrate their individual acting prowess, but their onstage chemistry seems lacking. What could come off as a burgeoning love affair coupled with intense internal conflict is presented much more as a flat dialogue between the pair. Fortunately, this problem is endemic only to this scene as their onstage performance in the third act proves admirable.

p. Showcasing the hats made by Joan and Todd, the latter half of the second act features a bizarre fashion show. The show contains the only appearance of the Prisoners and ends in their deaths. This scene is when the intimacy of the studio theater shows its necessity. Completely breaking the fourth wall, the frantic personal interactions between the Prisoners and audience members, coupled with simply chilling sound design, is the emotional climax of the piece.

p. The finale of the play is also the most confusing part. It is within this act that the individuals’ dramatic strengths came through most impressively. The interplay between Kaye and Harvey exhibits some of the most convincing acting of the show. Their surrealist argumentation is offset by the sincerity with which they portray it, creating a pleasing disparity between what the audience hears and what is seen and felt.

p. That “Far Away” presents strong overtones on the problem of non-action in the face of wrong is evident when speaking with Kaye, who not only acts as Harper in the show, but who also serves as the production’s publicity director. She described the purpose of the show as “to demonstrate the absurdity of war.” These themes are highlighted with the use of interactive multimedia presentations which not only show the passage of time, but those who, instead of backing away in the face of evil, come forth and fight against it.

p. The show is as enjoyable as it is confusing. This could be a result of my status as an American theater patron. Kaye commented on the disparity of American and British audiences, saying that Americans are less used to non-plot based theatrics and that “[‘Far Away’], instead of trying to present a message, tries to invoke a feeling.” Perhaps this was indicative of my feelings. As the play ended and the house lights came up, the first comment I made was a hearty, “That was cool … What the hell happened?”

Fox’s ‘24’ continues to win over fans with good, old-fashioned escapism

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I caught Bauer fever this winter, or rather, I never recovered from my case of Bauer fever last year. Hell, who am I kidding, I’ve been infected since the second season of “24.” That was 2002 (and yes, I did go back and watch the first season, but more on that later). The show, now in its sixth season, has only gotten better with age, sporting bigger and better actors and an all-star budget to boot. Right now, it’s the best damn show on television, period. Frankly, I don’t even watch anything else.

p. Now I know there are those of you who strongly support “Grey’s Anatomy,” “Lost” and all those other primetime powerhouse programs, but hear me out. “24” is absolutely ridiculous, presenting situations that could never (and would never) happen, solutions and resolutions that are beyond far-fetched and a consistently super-human hero. Therein lies the rub for most series.

p. Bottom line: dramas that take themselves seriously will be hard-pressed to find consistently enticing storylines while still remaining realistic. “Lost” will sooner or later collapse upon itself, suffering from “X-Files” syndrome; a show can only follow characters searching for answers for so long before the audience realizes that there never was an answer to begin with. “Grey’s Anatomy” will have to continue making characters get pregnant or die to stay strong, and sooner or later its gonna run out of characters with which to do it. “24” seems to have the market share on entertainment that allows its viewers to suspend their disbelief and simply grin at explosions, gunfights and good, old-fashioned torture.

p. “24” also happens to be the most addicting show on television as a product of its mere nature. A show whose episodes run as 24 consecutive hours requires viewers to watch every week. The show’s edge-of-your-seat action keeps you coming back for more. Plus, so much happens in each action-packed hour that, when coupled with the real-time storyline, failing to catch a single episode is like losing a leg.

p. Such a disaster could result in missing an assassination attempt on the president, the detonation of a nuclear bomb, an almost-too-gruesome-for-TV torture of a captured informant (all of which have occurred already this season) or all three. I started watching the show in its second season, but to catch up, I bought the first season on DVD — and watched the whole thing in three days. All 24 hours (well, 18 without commercials). Again, it’s addicting.

p. This season, “24” is better than ever, and the main reason is the show’s iconic hero. Jack Bauer has returned from two years of beatings in a Chinese prison, complete with whip marks on his back and a mysteriously scarred left hand, and within hours of his release de-armed a nuclear bomb. He’s already tortured his own brother (the mysterious bad guy from last season) and was nearly killed by his father. His death toll is rising and his badass factor has never been higher. Somehow, the writers have made him even more ridiculous than he was the season he fought withdrawls from a heroine addiction all day. Again, I reiterate that what holds this show up is the fact that it in no way holds up.

p. Every Monday at 9, my posse and I group up and cheer on our mutual idol. Next week, Bauer will torture one of two main villains (ex-Russian general Dmitri Gredenko), captured last week, and the vice president will attempt to usurp the president in his opportunistic attempt to control the nation’s nuclear arsenal (of course, after the president was roused from a coma last episode to thwart the VP’s plan to nuke the Middle East). The Jack Bauer (soda) drinking game will be in full swing, and I’m sure my friends and I will not be disappointed. “24” is horribly consistent at being horribly inaccurate in mirroring real life, and for that, we love it.

p. Conor McKay is the Flat Hat reviews editor. He has chosen “24” over many other obligations, including, but not limited to, eating, sleeping, studying and showering.

Voting goes beyond SA

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By the time this column arrives in your hands, perhaps the mishap postponing yesterday’s election results will be corrected, and barring a catastrophic student uprising — which, viewed in a certain light, strikes me as oddly exciting — the wheels of democracy will have continued to turn. But to what end?

p. In a body whose name most often appears alongside the descriptors “out of touch” and “homogeneous,” it came as no surprise that both presidential campaigns championed the return of responsiveness and diversity to the Student Assembly. Now, the question emerges: will the winners make good on their promises?

p. The responsibility for affecting these changes, however, was (and will be) left largely on the shoulders of the student body. To this end, referenda (which you may have noticed are becoming more popular) are terrific for shifting accountability to the voters and away from their elected leaders. After all, if referendum policy goes awry, those in office aren’t the ones taking the heat because, hey, we were the ones who decided on it.

p. Referenda often determine nothing at all, as in this year’s question asking us if two women were adequate representation in the senate for a student population which is 55 percent female. I’m sure it will prove stiff competition for last year’s “Should the SA do more to increase opportunities for student nightlife?” in the battle to uncover the blatantly obvious. Perhaps next time around, we will be asked if we’d like to cancel Christmas.

p. But despite its irrelevant results, in terms of student responsibility, the referendum was successful in highlighting our opportunity to elect up to nine women to the senate. Certainly, the winning presidential ticket now has the chance to make its cabinet the quintessential example of diversity, but if we failed to elect these women, then we are at least partly to blame when we start complaining once again about our homogeneous student government.

p. More important even than diversity, however, were the promises to become more responsive to student needs. And, with more than 400 students bumped from the housing lottery this year, it appears advancing student concerns in the city will be paramount among these demands. If the winning camp wishes to have any hope of making good on their pledges to deal with the city, they’re going to need student backing — and a lot of it.

p. We’re all aware that students comprise about half the city’s population, but it’s disappointing to admit we’re only a tiny fraction of the registered voters. The problem, then, is that even if city officials are fond of us and want to work with the SA, there’s no reason to do so until we can vote; it would be political suicide. Just ask Billy Scruggs, the only true student advocate on city council. He wasn’t re-elected in 2006.

p. At present, the powerful actors in Williamsburg city politics are the concerned voters the ones who show up to council meetings in vehement protest of policy. These are the people who will not stand idly by as the new administration tackles the three-person rule. And why shouldn’t the city listen to these folks over our student government? Put simply, our legitimacy in the Williamsburg political arena rests not on our new president or vice president, senators or executive branch, but on the student body itself and its willingness to vote.

p. But to reach the point where voting is possible, we must look to the SA. If the new administration truly has responsiveness to student issues in mind, so that everyone may voice his opinion in the city with the backing of his vote, campus-wide voter registration must be the administration’s foremost responsibility. Even now, steps in that direction have been taken by both the senate and the executive, but to the president and vice president, whoever you may be, we’re expecting big things, and with our help, this is one promise you cannot afford to break.

__Andrew Peters, a sophomore at the College, is a Staff Columnist. His columns appear on Fridays.__

Elections commission loses votes

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p. “Maybe we should focus on the part where I fucked up the election,” Elections Commissioner senior James Evans said last night in an emergency meeting of the commission, when conversation drifted off-topic.

p. Yesterday’s Student Assembly elections got off to a rocky start — as a failure to account for daylight savings time caused the polls to open 16 minutes late — and ended in disaster when Evans single-handedly lost the results through the push of a button. Raw computer data containing a log of the votes has been sent to former Student Information Network Director Will Cline, ’06, who is working to create a program to read the information and produce results.

p. “SIN is cleaning up my mess by writing a program that will get every vote counted,” Evans said in an e-mail last night to candidates. “SIN needs to recover these votes in a process that is the electronic equivalent of a hand-count.”

p. Evans added that official results should be available today.

p. As modern technology failed, two elections were decided by paper ballots because a lack of official candidates for certain positions resulted in no place on the electronic ballot for write-in candidates at those positions.

p. Diane Brewster became the Class of ’09 secretary, and Laura Rogers became the Class of ’08 Treasurer.

p. In Evans’ e-mail, he described the day’s events.

p. At 8 a.m. students began complaining that they couldn’t vote, leading to a manual opening of the polls at 8:16 a.m. Between then and 9 a.m., Evans realized that SIN’s time stamp was an hour behind schedule, not set for daylight savings time. He determined that he would need to manually close the polls at 8 p.m., as they otherwise wouldn’t close until 9 p.m. He logged into the system to change the election end-time, and by doing so accidentally generated results tables for an entirely new, nonexistent election.

p. The actual results were lost, accessible only by a computer expert.

p. “It is just a matter of time to translate SIN’s database log into an elections table,” Evans said in the e-mail. “If we had not been able to close the polls on time there would be serious implications for the consistency of this election. As it stands, this elections will be the same as any other, except it will take longer for the results to come out.”

p. Presidential candidate junior Brad Potter could not be reached for comment. His opponent, sophomore Zach Pilchen, said he felt confident that he would eventually be named the winner, but that he was somewhat concerned about the mishap.

p. “I’m disappointed that all the candidates did not get the same turnaround this time as candidates as these elections usually give,” he said. “I’m sure there are no malicious intentions behind this, but I think it would be a good idea to have an objective observer in the room as they — quote, unquote — ‘regenerate the data.’”

p. An exit poll conducted by conservative campus newspaper The Virginia Informer projected Pilchen the winner with 60 percent of the vote.

p. Potter, who was contacted by The Flat Hat earlier in the day, said he didn’t feel this was cause to celebrate for the Pilchen campaign, noting that many groups of students were not represented in the poll, such as graduate students.

p. “There’s still an election going on,” he said.

p. Assoc. News Editors Morgan Figa and Angela Cota contributed to this report.

WWI vet dies unnoticed

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It seems that as time goes on, the United States’ public interest becomes more and more trivial. Feb. 8, most people remember hearing or seeing the news that Anna Nicole Smith died. The former playmate died of unknown causes, and this engrossing, enthralling news story captured the attention of the American public for days on end. However, many people don’t know that on that same day, Antonio Pierro, an Italian-born American World War I combat veteran died at the age of 110. He also happened to be the oldest verified man living in the United States and the oldest verified World War I combat veteran.

p. The puzzling irony of the situation is that Smith, who lived a life of vanity completely removed from almost every living person in the United States, occupied the air waves while a heroic WWI combat veteran died without so much as a simple ticker line at the bottom of CNN. The only references to his passing were in Massachusetts-based publications such as The Boston Globe and the local obituaries of Swampscott, Mass.

p. Considering there are only 40 surviving veterans of World War I, with even fewer who were actually involved in combat, I find it incredible that more people are concerned with the death of Anna Nicole Smith. Is this what our society truly cares about? Is the death of an adult entertainer more newsworthy than the death of a combat veteran of a war that cost the lives of 116,708 American soldiers and 21,228,813 people worldwide? The media is a reflection of what our society values in day-to-day events; in my opinion, this event reflected poorly on our society.

p. To offer a proper memorial for Pierro, the following is some information about this man’s heroic life. Born on Feb. 22, 1896 in Forenza, Italy, he immigrated to the United States in 1914 where he resided in both Marblehead and Swampscott, Mass. He enlisted in the Army in 1918, trained at Fort Dix and was sent to France where he saw combat in the Battle of Saint-Mihiel. Pierro also fought in the Meuse-Argonne Offensive in the 82nd American Expeditionary Force in the 320th Field Artillery, and he served as a member of the American Legion in Swampscott, Mass.
Pierro returned to the United States in 1919 and later married Marie Pierre in 1920. The couple did not have any children and Pierre died in 1967.

p. After his military service, Pierro worked in the General Electric jet engine plant in Lynn, Mass. Following the deaths of Thomas Nelson, Sr. and Emiliano Mercado del Toro, Jan. 9 and Jan. 24 respectively, Pierro became the oldest World War I combat veteran and the second oldest man in the world. Pierro lived out the rest of his life in Swampscott, Mass. with his younger, 98-year-old brother, where he died just a few weeks shy of his 111th birthday.

p. __Adam Farrar is a freshman at the College.__

Another year in Iraq

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Last Monday, Mar. 19, marked the fourth anniversary of the beginning of the war in Iraq. Obviously, opinions have changed toward the war since its beginning. When we first invaded, support ran high for the president, as most believed that we would be able to take over and withdraw in a matter of weeks. As the years have gone by, the president’s support has plummeted to a record low. We now know that Iraq never had weapons of mass destruction and the idea of a peaceful democratic government in Iraq seems nearly impossible.

p. President George W. Bush’s speech on the war’s anniversary displayed a clear change in tone and expectations toward the war. In past years, Bush has made declarations of success and military victory for the troops. No such declarations were made this year. There was no mention of democracy or great victory. There was simply a plea for patience. As Bush continues to ask for more funding and troops, it seems his only plan is to continue what we have been doing and hope it works this time. He has offered little apology for the failures of the past and has proposed no plan to withdraw in the future.

p. In response to Bush’s latest bill, which asks for $100 million more for the war, Democrats attached an amendment that creates a timetable for the withdrawal of the troops. With mass public support, the Democrats are clearly no longer afraid to criticize the war or the president. However, Bush has made it perfectly clear that he will veto such a bill if it is passed, calling the bill “unconscionable.”

p. The Bush administration has also made it clear that we can no longer win this war. Instead, it argues that if we leave now, all of the past efforts and sacrifices of our troops will be wasted. That argument has absolutely no merit. The idea that we have to lose more lives in order to honor the lives we have already lost is completely ridiculous. In fact, it is wrong and offensive. What gives Bush or anyone else the right to use the memory of soldiers who gave up their lives to manipulate those who are still alive to fight for a cause that doesn’t exist?

p. In his speech, Bush warned Americans that if troops were to withdraw now, Iraq could become the central planning ground for future terrorist attacks. But is the fear of what might happen enough reason to stay? Bush demands that we have faith that things will get better, but when everything shows that it won’t, why should we?

p. Throughout his administration, Bush has never earned the right to our respect or trust. He has only provided lies and false promises. I understand that in leaving now we may be leaving Iraq far more dangerous and vulnerable than when we invaded four years ago. The question we now have to ask is: where do we draw the line? At what point is it no longer worth it to “honor” the sacrifices we have already made? If the only results this war produces are more dead American soldiers and innocent Iraqis, it seems that withdrawing is our only option.

p. __Rachael Siemon-Carome, a freshman at the College, is a Staff Columnist. Her columns appear on Fridays.__

Letters to the Editor (March 30)

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**Review of “300” causes controversy**

p. To the Editor:
It is my duty to address the grossly inaccurate and inflammatory statements made by Beth Sutherland’s review of “300” in the March 27 issue, as not only an Iranian American, but, more importantly, as an informed citizen.

p. My main objection is not the fact that the review of this film treats the plot as fact, stating that it contains “an impressive amount of historical integrity” and is “how it actually happened.” Nor is it the author’s inappropriate references to “liberal Hollywood,” “villains [resembling] the monstrosity of their actions” or Mahmoud Ahmadinejad. I am simply disgusted that a hateful diatribe masked as a movie review was published in a student newspaper without a thought to its effect on a section of the student body. I will engage the author in a “quick history lesson” of my own.

p. Spartans were by all accounts ruthless (non-democratic) savages who murdered slaves for sport, endorsed thievery and rape, practiced infanticide and lived for war. They were Greek Jihadists who lived only to die fighting. Further, slavery was a cornerstone of Greek society (Aristotle’s manifesto even sanctions it). There is no evidence that the empire, which freed the Jews from Babylonian captivity, ever made use of unpaid labor. This same empire even created the first bill of rights. In fact, Herodotus is an exemplar of Persia’s freedom. He traveled freely throughout the empire, openly criticizing it. He lived in the Persian city of Halicarnassus because Persia afforded him the freedom to publish his scathing report of it.

p. Hostile words are exchanged regularly between Tehran and Washington. The United States is engaged in two wars with Iran’s neighbors. In a time when we are in need of cultural understanding, this film and this article drive the wedge between the people of the Middle East and of the West even deeper.

p. **__— Kayvan Farchadi ,’09__**

College hosts W&M Invite; team finishes in 9th place

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__Sophomore Hurson places 11th individually__

Sophomore Doug Hurson continued his successful year for the Tribe, posting scores of 71 and 74 over two rounds at the William and Mary Invitational to lead the College to a ninth-place finish. The tournament, which was won by Campbell University, featured 21 schools from around the nation competing at Kingsmill Golf Resort in Williamsburg.

p. Hurson, who placed 11th individually, has been the Tribe’s top finisher in four of their six tournaments this year. The sophomore led the entire field in par five scoring, shooting a combined four-under-par on Kingsmill’s longest holes.

p. “Doug had a solid performance and continues to prove himself as one of our top players,” Head Coach Jay Albaugh said. “He used good course management both days and that led to his good finish.”

p. Every member of the Tribe roster participated in their home invitational, but only five golfers competed at the varsity level. Sophomore Brent Paladino shot consecutive rounds of 74 to finish in a tie for 20th with 148 strokes. Juniors Jonas Miller and Jimmy Femino combined to shoot 158 after final rounds of 78 and 80, respectively. Senior captain Matt Brantingham’s score of 160 was not enough to factor into the College’s team total.

p. The Tribe’s finish would have been improved had senior Ryan Price and freshman Conor O’Brien been playing on the varsity roster. Price’s two-round total of 148 tied him with Paladino in 20th position and O’Brien’s 153 strokes placed him in 51st, four shots ahead of both Miller and Femino.

p. Fredric Sundberg of Campbell captured medalist honors, firing rounds of three-under 67 and two-under 70 to beat out Detroit University’s Mark Sommerfield by two shots.

p. The Invitational’s first round was played on Kingsmill’s Plantation Course, with the final round being contested at the resort’s famed River Course. Tuesday’s final round proved more of a challenge for the field, as the overall scoring average rose almost a full stroke. In addition to playing the River at 6,831 yards, tournament officials placed the holes in the same locations to be faced by Annika Sorenstam, Natalie Gulbis and the stars of the Ladies’ Professional Golf Association during the final round of the LPGA Tour’s Michelob ULTRA Open on the River Course in May.

p. Thanks in large part to Hurson’s impressive showing on the par fives, the Tribe led the field in par five scoring, totaling eight-under for the tournament. Birdies were no problem for the College either, as the Tribe racked up 26 of them en route to the second-highest team total in the event. But a lack of consistency eventually caught up to the College. Though the team performed well on the long holes, they never found an answer for Kingsmill’s shortest, failing to crack the top 15 in par three scoring. The Tribe also failed to make the top 15 in pars made.

p. The College will look to build on their finish when they travel to Grasonville, Md. this weekend to compete in The Lacrosse Homes Collegiate Invitational.