Mike Binder’s “Reign Over Me” narrates an unusual relationship between Alan Johnson, played by Don Cheadle (“Crash”), and Charlie Fineman, played by Adam Sandler (“Click”). Once college roommates, they are two sides of the same coin. Alan has gone on to become a successful dentist, but Charlie is a broken, nearly insane man whose entire family died in the terrorist attacks of Sept. 11, 2001. A surprisingly lighthearted tale of loss and healing, the film is charming, but too often it sacrifices solemnity for comedic cheap shots.
p. Perhaps the most intriguing aspect of this film — the feature that piqued everyone’s interest when previews were released — is Adam Sandler’s presence as a dramatic character in a dramatic movie. It often proves difficult for comedians to make the transition to drama. One can reference Jim Carey’s less than satisfying “The Truman Show,” “The Majestic” and his latest flop, “The Number 23.” Robin Williams, too, proves uncomfortable out of his comedic skin; “One Hour Photo” didn’t do too well, for example.
p. It must be said that Sandler slides more gracefully into drama than others like him. He by no means gives a seamless performance, often relying on stock expressions, but his grief and anger are real. Like Johnny Depp in “Secret Window,” Sandler has wisely chosen a dramatic but quirky role in which he is not obligated to keep a straight face, but can showcase his prowess with a few emotionally charged scenes. He plays a loose cannon. Charlie is prone to bursts of violence and despair, but can also be childlike and fun-loving. Cheadle, his successful counterpart, also engages in the humor/pathos dichotomy. He is stifled by his controlling wife and boring career, and finds great fun in playing Charlie’s video games and riding his scooter. Ineffably likeable, Cheadle is a joy as usual.
p. What undercuts both actors and story, though, is the film’s ongoing identity crisis. It does not know whether it wants to be a comedy or a tragedy (well, more pathos, really, but why be technical?), and it doesn’t possess enough poignancy to be a tragicomedy or enough darkness to be a black comedy. There are too many scenes bordering on goofy, so what is it? While the moments of comic relief (and there are many) are often clever or merited, enough are gratuitous to devalue its drama. Granted, it’s still a very good movie that proves powerful enough to pay attention to, but the viewer cringes when an unnecessary or overly obvious joke is made at the expense of the seriousness of the characters’ situations.
p. The film is fun, but it is much more than mere entertainment. The relationship between Alan and Charlie, though not really subtle, is heartwarming. Charlie brings out the child in Alan; Alan helps Charlie confront the memories he has repressed. There are stormy moments in which Charlie has an outburst and the two are at odds, but otherwise, their relationship is so feel-good that the viewer cannot help but feel a sense of foreboding. It seems like this can only end in tragedy (the price the viewer expects to pay for all of the laughs she has enjoyed). The movie avoids an unnecessary and contrived tragic ending, which is good, but substitutes it for a happy one that is almost too clean.
p. Still, despite the genre confusion (and maybe one has to step away from “genre” to enjoy “Reign Over Me”), the film has a lot to offer. Though the characters are not terribly realistic, they interact in interesting ways. Similar to “Crash,” it intertwines apparently unconnected characters in such a way as to give everyone at least some measure of worth. These sorts of movies are usually life-affirming and clever.
p. One of the best aspects of the film is its hot soundtrack. The film’s title comes from a classic, somewhat precocious metal ballad by The Who, which is played both in its original form and redone for the credits. Though love heals, this theme isn’t really prominent enough to justify the title. Still, Charlie’s preoccupation with music as an escape adds flavor. The Pretenders, Bob Seger and Bruce Springsteen all make an appearance.
p. Seeing Adam Sadler in a serious role is a unique enough experience to justify seeing “Reign Over Me” — but it falls quite a bit short of the masterpiece mark.
__Three Stars out of Five__
